http://lichinsung.bandcamp.com/track/hk-for-12-zine
Tag: sounds
田野聆聽
工作坊介紹
出生於1974年法國，澎葉生在田野錄音與電子原音作曲領域中為備受推崇的創作者之一。自2007年移居台灣，葉生在台灣島嶼上以個人的社區互動方式，創作了很多樣的系列作品，深入島嶼上的各類住民（非人類或人類），以及生態（海、陸、空）。
這是聽說推出的第一場大師班，以難得的機會來吸收澎葉生多樣的研究與創作實踐。
– 探索如何以新的方式接觸與參與聲音的環境
– 學習不同的田野錄音技術與技巧
– 實際在田野中創作演練
– 以錄音創作來跟觀眾分享你的新聽覺感知
– 用我們的以及自己的器材來學習
葉生自己的介紹：
「我邀請您來參與一個聆聽的體驗，一個透過媒材的聆聽。
用錄音器材，我們一起到台南的四個錄音地點（及其周遭環境）探索。如果你自己有錄音器材，也可以一起帶來。我們先從晚間的活動互相認識，與介紹關於田野錄音的技術與創作過程，之後兩天我們去各種錄音場域。這兩天中，我們會發展：心理地理學式的探走與凝聽，一些聲音編曲註記的演練，當然還有錄音操作。最後一天我們到回到室內，準備揀選我們的聲音；以一些簡單的編輯與效果調音，來準備最後一晚公開與觀眾分享聆聽經驗的活動。我們一起來思考建築式的音場環境、透過實驗來影響感知、給耳朵的紀錄片、還有討論我們最受不了或最思念的城市音景。」
我們邀請你到聽說寒假大師班：澎葉生 – 田野聆聽。
ABOUT WORKSHOP
Born in France in 1974, Yannick Dauby is one of the recognised figures working in field recording and electroacoustic composition. Based in Taiwan since 2007, Yannick has produced a large body of work documenting a personal interaction with these islands: their inhabitants (non-human and human) and ecologies (aquatic, terrestrial, aerial).
The first edition Ting Shuo Masterclass will be a rare opportunity to benefit from Yannick Dauby’s extensive research and artistic practice.
– Discover new ways of encountering and engaging with the sonic environment
– Learn about different field recording technology and techniques
– Learn through experience in the field
– Communicate your new understandings to an audience through sound recordings
– Use our equipment and/or bring your own
Here is an introduction from Yannick:
“I am inviting you to a listening experience, a mediated one.
Through recording technology, let’s explore four locations in Tainan (and eventually its surroundings). If you have portable sound recording equipment, just bring it. After an introduction evening to the technical and artistic processes involved in field recordings, we’ll visit different kind of places. During two days, we’ll concentrate on : psychogeographical wandering and attentive listening, some sound notations exercises, and of course some recording sessions. Then we’ll go back indoor, for preparing our selection of sounds, basic editing and processing, in order to share our listening experience with open audience. Think about architectural sonic environment, perception through experimentation, documentary for the ears, discussions about our hated and/or beloved cities”.
We welcome you to the Ting Shuo Winter Masterclass: Yannick Dauby, Listening In The Field.
聽說 Studio: tingshuostudio.org
藝術計畫與出版：kalerne.net
簡介與部落格：yannickdauby.net
Review: Fragile Beauty by City Contemporary Dance Company
A grim picture of the decline of happiness in Hong Kong, with relentless movement and enough screeching to warrant earplugs
Internationally acclaimed Tibetan choreographer Sang Jijia’s last creation for City Contemporary Dance Company was the award-winning As If To Nothing in 2009. Last year he became the troupe’s resident choreographer and Fragile Beauty is his first new work in that role.
The premise of the production is the decline of life and happiness (the “fragility of beauty”) in a city – here, presumably, Hong Kong.
There are glimpses of Sang’s undoubted skill as a choreographer, but the piece resorts too much to dialogue instead of expressing ideas through movement and while it’s good to see artists tackle major local issues, the picture Sang paints is so unremittingly bleak that it fails to engage.
The piece opens with all the dancers on stage wearing long, brightly coloured skirts, in which they whirl and swirl before trooping off and returning in grim, prison uniform like costumes of white and grey which set the tone for the rest of the performance.
The choreography bears Sang’s hallmarks of relentless kineticism and emphasis on ensemble work, where the dancers’ individuality is suppressed in favour of the group.
There are some striking images, notably where a row of dancers spread out across the stage, slowly sink to their knees in unison while others continue to move. However, the choreography’s insistence on constant motion becomes tiring to watch.
Contrast is similarly lacking in terms of emotion – the city is portrayed as a nightmare in which its hapless residents are trapped, with no note of hope.
There are scenes of violence and chaos (a reference to Occupy Central and its aftermath, perhaps). One trio, with two men brutally attacking a girl who screams at the top of her voice throughout, is almost unendurable, not least for the ears.
Another sequence, which appears to refer to Sars, employs multiple voices speaking at the same time and a lot of shrill screeching – the result is excruciating and makes one long to push a mute button.
Two appealing monologues (in Chinese with English translation) by dancers about their childhood memories of Hong Kong and how old neighbourhoods have been transformed provide some respite from the tension but are overlong and seem disconnected from the rest of the piece.
The dancers perform with commendable energy and commitment. Dickson Dee’s menacing, percussion-dominated score contributes to the sense of angst, as does Sang’s cleverly conceived, claustrophobic set of moving dark grey walls which hem in the stage.
Fragile Beauty
City Contemporary Dance Company
Kwai Tsing Theatre
Reviewed: June 3
"As If To Nothing 那一年．這一天" 載譽重演
藝術家
編舞及佈景: 桑吉加
音樂: 李勁松
錄像: 楊振業
燈光: 劉詩豪（根據吳文安2009年之設計）
服裝: 孔德瑄
2014年6月13日 – 14日
8pm
葵青劇院演藝廳
$250, $180, $140
http://v.youku.com/v_show/id_XNzA4NjE3NTE2.html (video clips)
那一年．這一天
載譽重演
穿越時光之門，重塑那段是他也是你和我的曾經
-2010香港舞蹈年獎
– 最值得表揚製作
– 最值得表揚編舞
「充滿動力的舞蹈作品，當中要求舞者扭曲其身體的每一個部，使舞作有無休止地流動之感。」香港《南華早報》
「一部頂尖的作品。」北京《環球時報》
進入失衡的境界，記憶如網羅張開。在每個微妙的瞬間，記憶似有還無、或遠或近、虛無縹緲，難以捉摸。以致記憶漸漸被時間所吞噬；在記得與忘記之間，散亂的名字、扭曲的臉孔、浮動的時間、變換的場景、熟悉的情節，遺下一股無力感，叫人難以判斷，在交錯的時空下，記憶，孰真、孰假？
由譽滿歐美的編舞桑吉加編創澎湃的肢體語彙，在李勁松充滿張力的電子音樂與楊振業重重互動錄像交織中，與CCDC舞者重新演繹這個充滿爆發力的作品。
關於桑吉加 About Sang Jijia
被譽為「最完美的舞者」桑吉加，是德國法蘭克福芭蕾舞團藝術總監威廉．科西的入室弟子。二十三歲贏得巴黎國際現代舞大賽現代舞男子獨舞金牌；二十四歲獲頒廣東省「跨世紀之星」之稱；二十七歲獲「勞力士藝術大師啟蒙計劃」獎學金，赴德國習舞。桑吉加編舞以激烈澎湃及韻律獨特見稱，曾獲歐亞多個知名舞團邀請創作及演出，於國際舞蹈藝術範疇中享負盛名。
免費加料節目
圖片展
4~9.6.2014
香港文化中心大堂展覽場地 E2
藝人談
14.6.2014 (星期六) 演出後
葵青劇院演藝廳
查詢及報名請致電2329 7803或電郵至info@ccdc.com.hk
Facebook活動：「回憶是……」
以「回憶是」作為句子開頭，續寫一句句子。
各位所投過來的句子將有機會被選出作為《那一年．這一天》演出宣傳品，並獲贈以下禮品：《那一年．這一天》演出門票(13~14.6.2014)、《那一年．這一天》DVD、《那一年．這一天》海報、CCDC 35周年限定版布袋、CCDC文件夾
「回憶是」有限期的：31.5.2014
CCDC Facebook 活動「回憶是」專頁：https://www.facebook.com/events/286310701537233/
票務查詢：3761 6661
節目查詢：2329 7803 / info@ccdc.com.hk
信用卡電話購票：2111 5999
網上購票：www.urbtix.hk
門票現於城市電腦售票網發售
折扣
九折 (首兩張門票)
CCDC Dance Card 持有人
香港管弦樂團「港樂會」會員
中英劇團「能量粉團plus」
香港芭蕾舞團之友
香港中樂團「中樂摯友會」會員
香港舞蹈團「以舞會友」會員
藝穗會 Paid Members
香港話劇團「好友營」會員
進念．二十面體「進念之友」
agnès b. AMI 會員卡持有人
HKID Gallery VIP會員卡持有人
八五折 (首兩張門票)
國泰航空公司職員及港龍航空公司職員
八折 (首兩張門票)
廣東現代舞團現代舞之友
香港大學信用卡持有人
香港中文大學信用卡持有人
香港理工大學校友聯會卡持有人
香港演藝學院校友會卡持有人
七折 (首兩張門票)
CCDC Dance Generation卡持卡人
五折
全日制學生、六十歲或以上高齡人士、殘疾人士及看護人、綜合社會保障援助受惠人
CCDC保留更換表演者的權利
此製作之音樂於2009年由城市當代舞蹈團委約，費用由香港作曲家及作詞家協會轄下的「CASH音樂基金」贊助
城市當代舞蹈團由香港特別行政區政府資助
As If To Nothing
Rerun
Pass through the ashes of time, recreate the memories between you and me
2010 Hong Kong Dance Awards
– Outstanding Dance Production
– Outstanding Achievement in Choreography
“The choreography is supremely kinetic, with endlessly flowing movement that requires the dancers to contort every part of their bodies.” – South China Morning Post, Hong Kong
“A cutting-edge work.” – Global Times, Beijing
Enter the maze of déjà vu, trapped by our own memories. In every delicate moment, memories seem so close and yet so far. It is slowly swallowed by time. Struggling between remembering and forgetting scattered names, distorted faces, floating time, transforming scenes and familiar plots. What is left inside is emptiness. In this misplaced world, what is real? What is fake?
As If To Nothing is an adrenaline-packed and interactive multimedia work created by the internationally renowned choreographer Sang Jijia, featuring electronic music by Dickson Dee and video design by Adrian Yeung. This tour-de-forcereturns for another breathtaking journey led by CCDC dancers and their extremely physical and emotional performance.
About Sang Jijia
Acclaimed as “the most perfect dancer”, Sang Jijia was selected by the influential American choreographer William Forsythe to work with him at the Frankfurt Ballet for four years. At 23, Sang won the top prize in the men’s section of the 1996 Paris International Modern Dance Competition. He was hailed by the Guangdong province as “Star of the Century” in 1997. At 27, he joined the Rolex Mentor and Protégé Arts Initiative and studied choreography in Germany. Sang’s choreography combines extremely intense physical movement and unique rhythm to create psychological tension and anisotropy. As an internationally renowned choreographer, Sang has choreographed and performed for numerous well-known dance companies in Europe and Asia at their invitation.
Free Programme Plus Events
Photo Exhibition
4~9.6.2014
Hong Kong Cultural Centre Foyer Exhibition Area E2
Meet-the-artist
14.6.2014 (Sat) Post-performance
Kwai Tsing Theatre Auditorium
For enquiries and enrolment please call 2329 7803 or email info@ccdc.com.hk
Ticketing Enquiries：3761 6661
Programme Enquiries：2329 7803 / info@ccdc.com.hk
Credit Card Telephone Booking：2111 5999
Internet Booking：www.urbtix.hk
Tickets NOW available at URBTIX
Discount Offers
10% discount (First two tickets)
Holders of CCDC Dance Card
Club Bravo Members of Hong Kong Philharmonic Orchestra
Energy Fun Club plus of Chung Ying Theatre Company
Friends of The Hong Kong Ballet
Friends of Hong Kong Chinese Orchestra
Friends of Hong Kong Dance Company
Paid Members of Fringe Club
HKREP Pals
Zuni’s Friends
Holders of agnès b. AMI Member Card
Holders of HKID Gallery VIP Member Card
15% discount (First two tickets)
Cathay Pacific Staff and Dragon Air Staff
20% discount (First two tickets)
Modern Dance Friends of Guangdong Modern Dance Company
Holders of HKU Credit Card
Holders of CUHK Credit Card
Members of Hong Kong Polytechnic University Alumni Association
Members of The Hong Kong Academy for Performing Arts Alumni Association
30% discount (First two tickets)
Holders of CCDC Dance Generation Card
50% discount
Full-time students, senior citizens aged 60 or above, people with disabilities and accompanying minder, Comprehensive Social Security Assistance recipients
CCDC reserves the right to substitute artists
The music is commissioned by City Contemporary Dance Company in 2009 with sponsorship from CASH Music Fund
CCDC is financially supported by the Government of the Hong Kong Special Administrative Region
"30 years of Sound Art" featuring Otomo Yoshihide in HK
Concert by Otomo Yoshihide (大友良英)
Date : 2014-04-25
Location : M1060 Multimedia Theater, Run Run Shaw Creative Media Centre,18 Tat Hong Avenue, Kowloon Tong. Hong Kong
Time : 7:30pm
Lecture by Otomo Yoshihide (大友良英)
Date : 2014-04-29
Location : M6094 Future Cinema Theater, Run Run Shaw Creative Media Centre,18 Tat Hong Avenue, Kowloon Tong. Hong Kong
Time : 7-9 pm
Otomo has been international recognized and prolific in his musical output which has spanned across Free Jazz, Noise, Free Improvisation, Sound Art, and compositions for large amateur ensembles. Over the years he has worked with luminary figures such as John Zorn, Christian Marclay, and Luc Ferrari. In 2013, Otomo won national recognition for his soundtrack for TV drama “Ama-chan” which aired every morning on the national public broadcasting network, NHK. The opening theme quickly became a hit and another song he wrote went on to win the National Records Award of Japan. Now Otomo is Japanese household name, which makes everything even more confusing.
For this exclusive performance at SCM, local musicians Sin:Ned (Electronics), Fiona Lee (Electronics), Chin King (Guzheng), and dj sniff (turntables) will join Otomo in a unique performance inspired by his installation performances Yuheisha (幽閉者) and Ensembles.
Additionally on Tuesday April 29th, Otomo will give a lecture on his work after the 2011 disaster in Japan, Project Fukushima.
For more information check out the SCM announcement webpage.
Some video links of Otomo’s work:
http://vimeo.com/1802106
http://youtu.be/oMQFtY6X_V8
Both programs are free of charge.
舞．聲．道 Momentum
舞．聲．道 Momentum
http://www.youtube.com/watch?v=J1yZpk3w-uc
中國文化著重中庸之道，不多不少是為中庸。這個講求平衡的概念，在現今社會尤為重要。道家的五行（金木水火土）相生相剋正是此平衡機制的體現。然而，城市急促發展，生態失衡，人類實也難以獨善其身。在這前題下，《舞．聲．道》試圖以道家的九宮、八卦和五行學說為基礎，舞蹈、聲音及裝置作媒介，來一場淨化土地的祭典，同時宣揚環保訊息。
古有河圖洛書，其圖像是易理哲學的重要組成，亦是九宮圖的出處。《舞．聲．道》首部曲選址地靈人傑的山頂作為表演場地，Dickson首先將空間劃分成九格，按照坐向確定八卦，從而引申出各區的五行；五種元素自有其對應的聲音──宫商角徵羽（中國五聲音階中的五個不同音，相等於西樂的Do、Re、Mi、So、La）、顏色、情感和動態，甚至五臟六腑……就這樣形成一個大框架。編舞邢亮和梅卓燕再按舞者的命數屬性，在這大框架下自由創作。舞者舞動的節奏緩急、流程動作，演出起始與完結點，均離不開這個大框架，以自身為結構，透過舞姿和動線呼應相對的五行。另一方面，Dickson也順應佈局擺放二十一件石塊，石塊內有注入水的或放滿了植物、枯枝、和都市垃圾的，幾塊木炭則鋪設在場地另一隅，代表著生死的自然循環；曲樂的創作與音響的數目和設置亦同出一轍。
這場舞蹈演出期望帶給觀眾的，是一種祥和、平靜而愉悅之感，並藉此引發公眾對自然、空間、傳統文化和環境保護的新領悟。
首部曲「自然森林版」是一場在空曠的草坪上進行的環境舞蹈，相對的，二部曲「石屎森林版」將在有限的藝廊空間中舉行，同樣從道學出發，按照九宮、八卦和五行設計與佈置多媒體及聲音裝置，觀眾依據自己的生肖親身參與一場互動遊戲，在煩囂的都市中重獲一片安祥、寧謐。
Introduction to the Concepts Behind Momentum
A central idea in Chinese culture is the Doctrine of the Mean, or the Middle Way. It is often understood as not too much or too little. This concept of equilibrium is especially important in modern society. The mutual generation and conquest between the Five Elements (wu xing, namely metal, wood, water, fire and earth) in Taoism is a manifestation of the system of equilibrium. However, with rapid urban development and ecological imbalance, it is difficult for men to keep neutral. It is with this in mind that Momentum was created: using Taoist concepts of Nine Halls Diagram (jiu gong), Eight Trigrams (ba gua) and Five Elements as foundation; dance, sound and installation as media; this is an earth-purifying ritual with a message of environmental protection.
Renowned experimental musician Dickson Dee is a long-term collaboration of CCDC. A design teacher introduced him to the Taoist concepts of Nine Halls Diagram, Eight Trigrams and Five Elements when he was a student, bringing his attention to the equilibrium between things and how he can draw inspirations from it. Dickson has been applying these ideas to graphic design, abstract painting and music composition. The ideas are still influencing his life today.
The diagrams in the ancient Yellow River Chart (he tu) and the Inscription of the River Luo (luo shu) are an important part of the philosophies explained in the Book of Changes. They are also the source of the Nine Halls Diagram. Episode I of Momentum is performed at the Peak. Dickson first divides the performance space into nine squares, echoing the Nine Halls Diagram. Then he works out the Eight Trigrams based on cardinal directions. From there, he derives the Five Elements of each area. Each Element has its own corresponding sound, equivalent to Do, Re, Mi, So, La in Western musical scale. There are also corresponding colours, emotions, movements, even internal organs… This forms a framework, within which choreographer Xing Liang and Mui Cheuk-yin create the dance work according to the numerology of each dancer. The pace, the movement, the beginning, the end, everything about the work comes from this framework, echoing the corresponding Element. At the same time, Dickson also places 21 pieces of rock according to the framework. Some are filled with water, others hold plants, branches or urban refuse. A few pieces of wood coal are placed in the other end of the performance space, symbolising the natural cycle of life and death. The music and sound effects are also created according to the same framework.
The performance is devised to evoke a sense of harmony, peace and joy, as well as to cultivate a new understanding of nature, space, traditional culture and environmental protection.
Episode I, “Natural Forest Version”, is a site-specific dance work performed in an open, grass-covered park, whereas Episode II, “Concrete Forest Version” is performed in the confined space of an art gallery. Likewise, the work is based on Taoist concepts, with multimedia and sound installations laid out according to the Nine Halls Diagram, Eight Trigrams and Five Elements. Visitors can take part in this interactive game according to the animal that represents their birth year, to find quietness and serenity in this loud and bustling city.
環境舞蹈演出 A site-specific dance performance免費入場 Free Admission
Conceiver, Composer & Sound Installation Artist：李勁松 Dickson Dee
編舞 Choreographers：梅卓燕 Mui Cheuk-yin、邢亮 Xing Liang
道學顧問 Taoism Advisor：知三道人 Master Zhi-san
監製 Producer：黃國威 Raymond Wong演出 Performers：陳俊夫、招詠彤、禤天揚、李珵、李德、毛維、黃翠絲、孫鳳枝 Maximilian Chan, Chiu Wing-tung, Huen Tin-yeung, Li Cheng, Li De, Mao Wei, Tracy Wong, Iris Sun～首部曲 Episode I～
香港山頂柯士甸山遊樂場
Mount Austin Playground, the Peak, Hong Kong22~23.3.2014 六Sat-日Sun
3pm, 5pm～二部曲 Episode II～
九龍牛棚藝術村1a視藝空間
1a Space Gallery, Cattle Depot Artist Village, Kowloon
18.4~10.5.2014
11am — 7pm（星期一休館 Closed on Mondays）
場地贊助Venue Sponsor
LCSD
場地伙伴Venue Partner
1a Space Gallery
城市當代舞蹈團由香港特別行政區政府資助。
City Contemporary Dance Company is financially supported by the Government of the Hong Kong Special Administrative Region.
ChoP音乐节2013
*本项目由波兰共和国文化和民族遗产部资助。
www.chop-project.com
ChoP Project是由中国电子音乐家Zen Lu和波兰电子音乐家Grzegorz Bojanek于2006年共同发起而ChoP音乐节则是ChoP音乐项目的延伸。自2011年开始，ChoP项目受到波兰文化与民族遗产部资助，2012年在深圳和香港成功举办ChoP音乐节。
2013年11月10日至16日，我们再次举办ChoP音乐节，将在深圳地区6个场地举行3场讲座和3场专场演出，这是ChoP项目成立7年以来其成果的一次集中展现，音乐节集合了两国最为优秀的一批电子音乐家。本届ChoP音乐节将有6位波兰音乐家和6位中国音乐家参加表演，共设三场讲座/工作坊和三场演出。所有活动全部免费开放。
演出：
2013年11月10日星期日
MistHaus（雾厂）
地址：深圳市罗湖区梧桐山艺术小镇坑背村54-1号
演出时间：6:00 PM
Zhang Jianfu + Gold Plated Face + Guiddo
Er Dao + Błażej Malinowski + Michał Wolski
Zen Lu + Kim_Nasung
Shen Piji + Grzegorz Bojanek
2013年11月15日星期五
Pepper Club（胡椒俱乐部 ）
演出时间 9:00 PM
地址：深圳市福田区购物公园二楼
Michał Wolski
Guiddo
Błażej Malinowski
Gold Plated Face
2013年11月16日星期六
IDUTANG(一渡堂)
地址：深圳市南山区恩平路华侨城创意文化园F3栋
演出时间：9：30PM
Michał Wolski + Zhang Jianfu
Grzegorz Bojanek + Zen Lu
Kim_Nasung + Sin:Ned
Gold Plated Face + Dickson Dee
ChoP Orchestra
讲座：
2013年11月13日星期三 14:00 PM
深圳职业技术学院
介绍：ChoP音乐节2013
ChoP音乐节的主要理念和ChoP项目的简短历史，ChoP音乐节活动描述。
主讲人: Jarosław Grzesica, Grzegorz Bojanek
时长：15分钟
讲座: OPTICON – 构筑视觉，创建故事
在静态的装置作品中讲述故事？如何运用新的科技将抽象的视觉变成观众感兴趣的事物？怎样在复杂的装置作品中通过声音、视觉和情绪刺激观众？Jaros将透过三个新媒体艺术作品进行分析研究(Case studies: Roch Forowicz OPTICON, DETECTION, Przemysław Moskal: REFLECTIONS, Lincoln Shatz: My City and From Here, Adad Hannah: MUSEUM STILLS)
主讲人: Jarosław Grzesica
时长：60分钟
讲座：波兰声音艺术在柏林
Tomasz Guiddo Światała (定居于柏林的著名音乐制作人，DJ，电台创办人)将分享他在柏林期间的音乐制作方面的经验，包括与众多厂牌的合作，比如Ostgut Ton和Jazzanova的厂牌Sonar Kolletiv。他将展示其音乐创作的基本设备，他如何使用Ableton Live软件，以及他和他的音乐项目Manhooker在柏林如何被著名的大厂牌注意和发掘。
主讲人： Tomasz Guiddo Światała
时长: 60分钟
现场演出：30分钟
演出乐手：
Gold Plated Face
Michał Wolski
Guiddo
2013年11月14日星期四深圳外国语学校国际部|南山
工作坊-时间:10:30AM
现场演出-时间:2:00 PM
Guiddo + SWIS Student
Michał Wolski + Błażej Malinowski
Zen Lu + Grzegorz Bojanek + SWIS Student
Kim_Nasung + Gold Plated Face
2013年11月14日星期四 14:00 PM
华.艺术沙龙
介绍：ChoP音乐节2013
ChoP音乐节的主要理念和ChoP项目的简短历史，ChoP音乐节活动描述。
主讲人: Jarosław Grzesica, Grzegorz Bojanek
时长：15分钟
讲座：独奏vs双重奏
Blazej Malinowski和Michal Wolski 是“Fűnfte Strasse” 项目的创办人，这个项目包括电台演出、文化活动和现场音乐表演。在他们各自的独奏项目和双重奏项目中，他们使用Ableton Live软件作为核心工具。他们亦使用不同的设备创作他们想要的声音。工作坊将展示他们如何解决独奏与双重奏之间的一致性。
工作坊结束之后，他们将作一个30分钟的现场音乐表演，展示他们音乐合作的成果。
主讲人：Błażej Malinowski, Michał Wolski
时长：60分钟
现场演出:Blazej Malinowski+Michal Wolski
时间：8:00 PM
Sound of Life – solo performing in Hanzo Club/Ulan Bator
Dickson Dee – Sound of Life solo performing
date:13rd Sept 2013
time:9pm-11pm
venue:Hanzo Club / Ulan Bator
info: http://www.iloveub.mn/events/irreversible-vol3-sound-of-life-performance/
Unmeasured Music HK
Type: Music/Arts – Listening Party
Date: Wednesday, March 31, 2010
Time: 7:30am – 9:30am
Location: Input/Output
Background
Unmeasured Music began in July 2007, in the bar at the contemporary arts venue, Spike Island (Bristol, UK). A monthly night devised by Rachel Connelly, where artists, musicians and ideas joined together to create sublime performances and more unsettling moments. It is a club, a social event, a place where sound and music events are un-tempered. Risk is intrinsic. Dedicated to the promotion of sound related events and the art of listening, it aims to provide a place where projects can happen, people can meet and your ears can be challenged.
http://www.myspace.com/unmeasuredmusic
Unmeasured Music HK 2
A Return to Vinyl, and other strange sounds
I/O (Input/ Output)
Wednesday 31st March, 7.30pm
featuring
Dickson Dee
[ch`os]
NERVE
William Lane (NME)
I/O is pleased to present the 2nd event for Unmeasured Music HK
4 performers play amongst the backdrop of Paiva’s installation, Experiments on the Notation of Shapes. Turntables are back, but not in a way you expected. [ch`os] and Dee, usually more known for their digital compositions, take on an ‘old media’. Using turntables in unique ways, each performer creates a sometimes surreal but captivating soundtrack. NERVE provides sublime and edgy improvisations from his recent compositions, while William Lane takes Paiva’s installation as inspiration and uses the street outside I/O for his improvisation.
Artist Biogs:
Dickson Dee
Dickson Dee (Li Chin Sung) has been engaged in the music industry for more than 20 years and has assumed different persona’s for various incarnations which include; DJ Dee -electronic experimental music, Li Chin Sung -music concrete and avant-garde, PNF -industrial noise, Khoomi Sound Machine -electronic world jazz, and Dickson Dee – electronic acoustic, sampling cut ‘n’ paste and turntable-ist works. He has collaborated and performed with many artists such as Zbigniew Karkowski, Otomo Yoshihide, Sainkho Namtchylak, Maja Ratkje and at venues worldwide which include: Taipei underground music festival; Musik Triennial, Köln; International Triennial of Contemporary Art, Yokohama; Korea Gumi Culture Festival and Avant-Garde Festival, Beijing. He has also established the music label Noise Asia, followed by Dicksonia Audio, a label for the release and publishing of his own works.
http://www.myspace.com/dicksondee
[ch`os]
[ch’os] (Joao Vasco Paiva) is an audio visual related project based on deconstructive sound treatment and generative compositions. His work has been shown in festivals worldwide such as ‘FILE Hypersonica International Festival of Electronic Language’, ‘London Exploratory Music Festival’, ‘Athens Video Art Festival’, ‘CityTransit’, ‘2pi Festival’, ‘Hong Kong and Shenzhen Architecture and Urbanism Biennial’, and Microwave International New Media Arts Festival.
http://www.myspace.com/8chos
NERVE
Nerve (Steve Hui) is a member of experimental electronic music group VSOP, DJ of the club night HEADROOM, aswell as a regular collaborator of the theatre group Zuni Icosahedron. Hui’s creative work has been presented at various festivals including: Hong Kong Arts Festival, Microwave International Media Art Festival, Shenzhen & Hong Kong Bi-city Biennale of Urbanism/Architecture, Fringe Shanghai and Creative Cities (Hong Kong in London). His first orchestral work Re-Autumn was commissioned by the Hong Kong Sinfonietta. In 2006, Hui was invited by the Asia-Europe Foundation for “Hearing Helsinki” project in Finland.
www.myspace.com/Lo4nerve
William Lane
Australian violist William Lane is Artistic Director of the Hong Kong New Music Ensemble. Recipient of a number of large scholarships and prize-winner at various international competitions, he has performed as a soloist and chamber musician all over Australasia, Asia, Europe and North America. Lane has been Principal Viola of the string orchestra Resonanz Chamber Orchestra (Hamburg, Germany), as well as working on a freelance basis with Ensemble Modern (Frankfurt), the SMASH Ensemble (Salamanca, Spain). He currently plays with the Hong Kong Philharmonic Orchestra.
http://www.hknme.org/hongkongartsblog/
This event is sponsored by White Noise Records.
White Noise Records
4, Canal Road East, Causeway Bay.HK
http://www.whitenoiserecords.org/
