"发现亚洲" 第七届【广东现代舞周】 2010.7.24-30

开幕演出震撼观众的感官细胞

【现代舞周】首次与广州大剧院合作,为第七届【广东现代舞周】拉开帷幕。《那一年·这一天》是香港旗舰现代舞团——城市当代舞蹈团的大型多媒体得奖名作。当今现代舞坛炙手可热的藏族编舞家桑吉加,以令人耳目一新、高能量且密集的肢体语言,将舞者置入失衡的境界,配合充满张力的现场电子音乐拼贴,与多个不同角度的现场摄像实时互动,影像中与现实中的舞者,时而同步时而错位,营造出多个扭曲而引人入胜的魔幻时空,把被时间摧毁得支离破碎的回忆、充斥着内心斗争的欲望,坦然地赤裸在大剧院的高端科技舞台上,震撼观众的感官细胞。这台科技性与艺术性同样凌厉的节目,勇夺“香港舞蹈年奖2010”制作与编舞两项大奖。

《那一年·这一天》,是藏族舞蹈家桑吉加专为香港城市当代舞蹈团建团三十周年而创作的作品,这也是他阔别香港城市当代舞蹈团七年、从德国威廉·佛赛舞团学成归来后为该团创作的首部舞作。作为当今国际舞坛炙手可热的编舞家,作品《那一年·这一天》中除了巧妙、令人耳目一新的舞蹈肢体语汇外,更强调一种对自身的观照和内敛。编舞家把他的灵魂和回忆,坦然地赤裸在舞台上,让人窥见一种发自内心深处的,对生命的哀伤,在极富视觉冲击力的动作变化中,配合李劲松为此舞蹈特别创作的音乐,与观众一起寻找被时间摧毁的记忆。

城市当代舞蹈团由香港特别行政区政府资助
《那一年·这一天》北京之旅由香港特别行政区政府驻北京办事处支持

编导:桑吉加
演出:香港城市当代舞蹈团
音乐:李劲松Dickson Dee(live performing)

7月24至25日开幕演出
广州大剧院

第七届【广东现代舞周】由广东星海演艺集团及香港城市当代舞蹈团有限公司主办
广东星海现代舞蹈艺术有限公司及广东星海演艺发展有限公司承办
广东省星海音乐厅、广州友谊剧院、北京雷动天下现代舞团协办

The 3rd Annual Beijing Modern Dance Festival2010

6-7/5, 2010 19:30
“Standing Before Darkness”
choreographer: Sang Ji Jia
music:Dickson Dee (live performing)
company: Beijing Dance/ LDTX
venue: MF Theatre / National Centre for the Performing Arts

9-10/5,2010 19:30
“Upon Calligraphy”
choreographer:Liu Qi
music:Dickson Dee
company:Guangdong Modern Dance Company
venue: MF Theatre / National Centre for the Performing Arts

more details info see below links
www.beijingldtx.com
www.chncpa.org

我在•视听体验——2010中国版画艺术工作室联盟作品展

book cover

策展人: 张新英
展览时间:2010年4月16日——5月2日
展出地点:关山月美术馆1楼A、B、C、中央厅
展览成员: 苏新平、陈琦、周吉荣、唐承华、张广慧、卢治平、贺焜、徐宝中、梁宇、李劲松
主办单位:关山月美术馆(Guanshanyue Art Museum )

关山月美术馆对当代中国版画的关注始于2000年,除自2006年以来承展的每两年一次的“学院版画展”外,还陆续自主成功策划举办了“走进当代”、“灵性空间”、“山外·山”、“视觉漂变”、“穿越浮世绘”、“承前启后”等群体版画学术展览以及李焕民等老一辈版画家的学术回顾展,在全国版画界形成了一定的学术凝聚力,版画艺术的收藏、研究与展示也成为我馆的一个优势学术方向。

“中国版画艺术工作室联盟”是一个在版画学术和社会活动方面都非常活跃的艺术群体,联盟的主要成员苏新平、陈琦、周吉荣、唐承华、张广慧、卢治平、贺焜、徐宝中都是活跃在中国版画艺坛上有成就的艺术家。他们的作品突破了版画原有的架上传统观念,具有很强的当代性和学术价值,在一定程度上标示着当代中国版画的发展趋势。联盟成员在进行版画创作、交流的同时,也特别看重艺术的社会性,热心于社会公益活动,作品体现出高度的社会责任感和人文关怀,这与我馆注重社会服务和公共教育的理念不谋而合。由此,我们推出“我在·视听体验——2010中国版画艺术工作室联盟作品展”。

“我在”即一种自在自为、不为潮流所扰的状态,“视听体验”是我们根据当下中国版画以及当代艺术发展的学术状态而作出的学术尝试,联盟成员一方面通过自身沉潜的艺术创作追索人生的真谛,一方面通过参与社会公益事业、介入社会问题的艺术行为来探寻艺术自身的真正意义。展览展出了9位版画家和1位声音艺术家新近创作的代表作品,版画作品在制作上突破了传统的工具材料的限制,尺幅巨大、印制精良、技术水平精湛娴熟,其中不乏以版画元素实现的影像和装置作品,具有很强的视觉冲击力和美感内容的可读性,同时,作品本身也从不同的视角揭示了艺术家对社会问题的关注以及对生命的关爱,从而生动地阐释了此次展览的学术主题。李劲松创作的声音艺术作品包括为此次展览活动特别制作的主题音乐和为展览中的装置和影像作品专门制作的声音元素两个部分,这些声音元素采用专门的视觉和声音的转译软件制作完成,与装置和影像作品中的构成和色彩等元素构成一种一一对应的关系,从而从视觉和听觉两个方面对观者产生同步的影响。

http://www.gsyart.com/

日本迷幻摇滚乐队Tetragrammaton南中国巡回


1st April – Osage Soho / Hong Kong
http://www.osage.com/


2nd April – 191 Space / Guangzhou


3rd April – Ninliho Gallery / Foshan
http://ninliho.com


4th April – Dawang Culture Highland / Shenzhen
http://www.dawangculture.com

组建于2006年日本东京的三人迷幻摇滚乐队Tetragrammaton一方面承袭了70年代阿部熏、高柳昌行等人的日本自由即兴爵士之风,另一方面则与不失者(灰野敬二)、酸母寺(Acid Mother Temple)同属东京迷幻音乐温床里的活跃份子。东欧传奇弦乐器Hurdy-Gurdy(中文翻译,手摇风琴或者绞弦琴)、高音萨克斯风、桌面结它和敲击,乐队的乐器看似更适合演奏东欧民谣,实际上,却是从头到尾让你陷入高压和狂热的声音大熔炉,混合着迷幻摇滚、迷幻民谣、自由爵士、电子声响等无规律的音乐碎片,那份“宇宙感”和“超现实感”,绝对是一次美妙又极端的Trip Psychedelic(原指服吃LSD后经历的一次完 整的迷幻体验)。
  乐队的三位成员TOMO(Hurdy Gurdy、Soprano Saxophone、Theremin、Electronics)、 Cal Lyall(Tabletop Guitar、Electronics)和Nobunaga Ken(Drums、Percussion)都是日本新音乐圈的多面手,在包括Harsh Noise、独立民谣和跨界舞蹈、配乐等多个领域皆担当重要角色,Tetragrammaton同时也与包括灰野敬二、向井千惠、Acid Mother’s Temple、传奇Butoh舞蹈家Mitsutaka Ishii、即兴提琴手Yasumune Morishige、CCCC的Hiroshi Hasegawa、CAN的Damo Suzuki等艺术家音乐家开展合作。2007年,乐队首张专辑《Elegy For Native Tongues》在东京厂牌Subvalent作2CD形式的出版,收录5首录音室作品,及3首于日本实验音乐Live House Penguin House的现场演出录音。
  延伸阅读
  乐队网站:www.myspace.com/tgmtn
  音乐试听:www.subvalent.com/tetragrammaton-elegy-for-native-tongues
  
  Tetragrammaton
  ———————-
  
  Japanese free psych/drone unit Tetragrammaton is one part 70s free improv (from the school of Kaoru Abe and Masayuki Takayanagi) and one part new millennium blissed-out drone/noise (a la Hototogisu and Vibracathedral Orchestra).
  
  Mixing hurdy-gurdy, soprano saxophone, drums, percussion and (tabletop) guitar, the instrumentation might be well-suited to the folk-music of Eastern Europe, but falls more decisively into the camp of Fushitsusha or Borbetomagus.
  
  The band has supported the legendary Keiji Haino on several occasions, and frequent guest spots have included Chie Mukai, Mitsuru Tabata (Acid Mother’s Temple, Zeni Geva), butoh legend Mitsutaka Ishii, Hiroshi Hasegawa (aka ASTRO) Damo Suzuki (ex. Can) and
  improvising cellist Yasumune Morishige.
  
  The three members, TOMO, Cal Lyall, and Nobunaga Ken are also involved in a number of other projects, ranging from harsh noise to world folk music to electronica.
  
  Forming in 2006 with a bare-bones free improv lexicon, the band has moved towards dense drone-based structures and an increasingly multi-layered approach to thematic development, most evident on their most recent double-CD release from Subvalent, Elegy for Native Tongues.
  
  Band Members:
  TOMO – Hurdy Gurdy, Soprano Saxophone, Theremin, Electronics
  
  Cal Lyall – (Tabletop) Guitar, Electronics
  Nobunaga Ken – Drums, Percussion
  
  ———————-
  Reviews for Elegy for Native Tongues
  by Tetragrammaton (Subvalent: SBV001)
  ———————-
  
  This Album of the Month is a hugely coherent and vastly rounded work; the kind of monumental thing you might have expected siphoning out of some New York City 8-track studio some time in the last 30 years, but which has ultimately fallen to the ever-thorough Japanese Underground to bring forth.
  - Julian Cope
  
  Dark, heavy speaker-shaking improv that when it really kicks in with full gale force turns into something akin to Skullflower and Hototogisu mixed together with the crushing free-jazz of Borbetomagus and the jet-black psychedelia of Fushitsusha.
  - Crucial Blast Records
  
  Tetragrammaton let their long hair down and spill their collective souls all over the psyche-drenched studio floor, letting others do the work of mopping up afterwards.
  - Sound Projector
  
  Hidden pleasures are buried everywhere throughout disc one (the studio recordings) and disc two (a 2007 live set). This is a breathtaking listen.
  - Pop Matters
  
  The best elements of the esoteric world of “free music” without succumbing to the subgenre’s tendency to become simply a catalog of random sounds […] Keeps the free jazz propulsion and a bit of good ol’ rock & roll to keep it on track.
  - Creaig Dunton (Brainwashed)
  
  Subtly placed hurdy-gurdy elements trail amidst a thick fog of shearing guitar drones, clattering snares and hissing ambient textures.
  - Cyclic Defrost
  
  A mix of free jazz, stoner drone and improv psychedelia, Elegy for Native Tongues is a sprawling two-disc testament to man’s need to bang on shit, squeak and cause trouble.
  - JP DuQuette (Carter Witt Media)

Unmeasured Music HK


Type: Music/Arts – Listening Party
Date: Wednesday, March 31, 2010
Time: 7:30am – 9:30am
Location: Input/Output

Background

Unmeasured Music began in July 2007, in the bar at the contemporary arts venue, Spike Island (Bristol, UK). A monthly night devised by Rachel Connelly, where artists, musicians and ideas joined together to create sublime performances and more unsettling moments. It is a club, a social event, a place where sound and music events are un-tempered. Risk is intrinsic. Dedicated to the promotion of sound related events and the art of listening, it aims to provide a place where projects can happen, people can meet and your ears can be challenged.
http://www.myspace.com/unmeasuredmusic

Unmeasured Music HK 2
A Return to Vinyl, and other strange sounds
I/O (Input/ Output)
Wednesday 31st March, 7.30pm

featuring
Dickson Dee
[ch`os]
NERVE
William Lane (NME)

I/O is pleased to present the 2nd event for Unmeasured Music HK
4 performers play amongst the backdrop of Paiva’s installation, Experiments on the Notation of Shapes. Turntables are back, but not in a way you expected. [ch`os] and Dee, usually more known for their digital compositions, take on an ‘old media’. Using turntables in unique ways, each performer creates a sometimes surreal but captivating soundtrack. NERVE provides sublime and edgy improvisations from his recent compositions, while William Lane takes Paiva’s installation as inspiration and uses the street outside I/O for his improvisation.

Artist Biogs:

Dickson Dee
Dickson Dee (Li Chin Sung) has been engaged in the music industry for more than 20 years and has assumed different persona’s for various incarnations which include; DJ Dee -electronic experimental music, Li Chin Sung -music concrete and avant-garde, PNF -industrial noise, Khoomi Sound Machine -electronic world jazz, and Dickson Dee – electronic acoustic, sampling cut ‘n’ paste and turntable-ist works. He has collaborated and performed with many artists such as Zbigniew Karkowski, Otomo Yoshihide, Sainkho Namtchylak, Maja Ratkje and at venues worldwide which include: Taipei underground music festival; Musik Triennial, Köln; International Triennial of Contemporary Art, Yokohama; Korea Gumi Culture Festival and Avant-Garde Festival, Beijing. He has also established the music label Noise Asia, followed by Dicksonia Audio, a label for the release and publishing of his own works.
http://www.myspace.com/dicksondee

[ch`os]
[ch’os] (Joao Vasco Paiva) is an audio visual related project based on deconstructive sound treatment and generative compositions. His work has been shown in festivals worldwide such as ‘FILE Hypersonica International Festival of Electronic Language’, ‘London Exploratory Music Festival’, ‘Athens Video Art Festival’, ‘CityTransit’, ‘2pi Festival’, ‘Hong Kong and Shenzhen Architecture and Urbanism Biennial’, and Microwave International New Media Arts Festival.
http://www.myspace.com/8chos

NERVE
Nerve (Steve Hui) is a member of experimental electronic music group VSOP, DJ of the club night HEADROOM, aswell as a regular collaborator of the theatre group Zuni Icosahedron. Hui’s creative work has been presented at various festivals including: Hong Kong Arts Festival, Microwave International Media Art Festival, Shenzhen & Hong Kong Bi-city Biennale of Urbanism/Architecture, Fringe Shanghai and Creative Cities (Hong Kong in London). His first orchestral work Re-Autumn was commissioned by the Hong Kong Sinfonietta. In 2006, Hui was invited by the Asia-Europe Foundation for “Hearing Helsinki” project in Finland.
www.myspace.com/Lo4nerve

William Lane
Australian violist William Lane is Artistic Director of the Hong Kong New Music Ensemble. Recipient of a number of large scholarships and prize-winner at various international competitions, he has performed as a soloist and chamber musician all over Australasia, Asia, Europe and North America. Lane has been Principal Viola of the string orchestra Resonanz Chamber Orchestra (Hamburg, Germany), as well as working on a freelance basis with Ensemble Modern (Frankfurt), the SMASH Ensemble (Salamanca, Spain). He currently plays with the Hong Kong Philharmonic Orchestra.
http://www.hknme.org/hongkongartsblog/

This event is sponsored by White Noise Records.
White Noise Records
4, Canal Road East, Causeway Bay.HK
http://www.whitenoiserecords.org/