SainkhoNamtschylak+DicksonDee+Shinetsog live in Beijing & Shenzhen

BJ SN 

Beijing flyer design by Susi

SN sz poster 1 

SN poster 

Shenzhen flyer design by 魏籽

 

Sn1Sainkho photo by Dmitry Konradt

Sn2 Sainkho photo by Valery Silajev

shineeShinetsog  photo by Dickson Dee

DD on stageDickson photo by Priman Lee

 
Sainkho-voice 人声
Dickson Dee-electronics 电子
Shinetsog-Khoomii & Morinhuur (Ulan Bator) 喉音,马头琴

date:27th July

venue: New Get Luckey Bar -Beijing

location:In Nuren Jie area, inside Oriental Qicai World, Beijing

 

date 28th July

venue: Base Bar – Shenzhen

location: Shangbu Location: No. 1019 South Shangbu Rd.
(0755) 8363-3533

www.sainkho.net

www.myspace.com/dicksondee 

www.myspace.com/shinetsoggeyni/ 

www.myspace.com/hkdjdee/ 

Sainkho Namchylak

extraordinary and totally unique artist from Tuva. During her professionalsinging career which started in 1986 with folk songs of Siberia, she covered almost every imaginable aspect of singing ‹ from traditional to folklore toimprovised to jazz to avant-garde. She performed with incredible amount ofmusicians as diverse as bass players Peter Kowald, William Parker and JoelleLeandre, drummers Hamid Drake and Vladimir Tarasov, saxophonists Evan Parkerand Ned Rothenberg, the duduk master Djivan Gasparyan, the Russian group TRI-O, Sergey Kuryokhin¹s Pop-Mechanics and The Moscow Composers Orchestra.Her singing technique is truly unprecedented – from khoomei (overtonesinging practised in her native Tuva) to the dizzying vocal extensions from the lowest to the highest possible notes. During her remarkable artistic journey she performed music for films, free improvisations, shamanistic and Buddhist rituals, electronica, dance and word music. In a way, she has become a cult artist throughout the world.

   I met Sainkho in 1989 in Moscow and since that time there was one thingthat bothered me from time to time. Her world music audience had no ideaabout her jazz singing, and her folk music audience knew very little abouther free improvisations. I have been asking myself whether it is possible to reconcile all these different approaches to singing within one CD. It was obvious to me that Sainkho herself did not see all these different disciplines as something separate. For her it was one undivided, natural and organic whole. It explains why during her performances she could move within a fraction of a second from jazz to experimental or traditional ways of singing.
   Is it possible to introduce one¹s mistress to one¹s wife and make everybody happy? Is it possible to get away with it? This CD is an attempt to present Sainkho in different contexts, to put many different musical styles in one basket. Shall I be able to get away with putting songs and free improvisations next to each other? Will it work musically? Will it be natural and organic? Is it  possible to make all her followers happy? In the past I tried to resist all sorts of eclecticism, for I understood all these dangers. Yet, I felt very strongly that sooner or later this should be done and Sainkho¹s 50th anniversary is a jolly good reason for doing it.
Leo Feigin

关于Sainkho Namtchylak:
Sainkho Namtchylak生于图瓦共和国,祖先是游牧民族,自小学习歌唱,曾组过民谣摇滚乐团。长大后到莫斯科学习声乐,除学习图瓦传统的双声唱法(Throat singing/khoomei),也包括喇嘛与萨满巫教的传统声乐技巧(图瓦的传统信仰是萨满教,后来因为曾被蒙古统治过,所以国教改为藏传佛教)。从1989年起,Sainkho开始跨足欧洲前卫即兴乐界,学习更多元化的发声技巧,并致力挖掘双声唱法与其它音乐风格融合的能性,同年并与苏联前卫爵士乐团Tri-O首次合作。之后即以欧洲作为发展重镇,展开她漫长而精彩的世界巡回演出,并且有机会与各地杰出音乐/表演团体合作,当中包括Peter Kowald、Buch Morris、Ned Rothenberg、Evan Parker、William Parker、Hamid Drake、DjivanGasparian、Hector Zazou、Otomo Yoshihide、Hakutobo (白桃房)Butoh Dance Theatre等等,并先后出版近三十张专辑,音乐之外,Sainkho也参与许多电影、剧场与多媒体演出。

虽然大部分时间在世界各地流浪,Sainkho从未忘记自己的家乡,每年她都带着西方乐手到图瓦的首都基吉(Kyzyl)表演,希望西方乐手认识的国家、文化与音乐。虽然她是图瓦文化的最佳代言人,但并非所有图瓦人都愿意拥抱她,一方面因为她打破“女人不得喉唱”传统禁忌,另一方面许多人认为她长年居住在西方世界,就是背叛自己的国家,拥抱了腐化的西方思想。1997年,她在自己四十岁生日前于莫斯科遭到暴徒攻击,身受重创,治疗了两星期才出院。之后沈寂了一段时间才继续演唱创作。

2002年由德国女导演Erika von Moeller执导的纪录片《Sainkho》正式面世,让世人对Sainkho的生活有更深层的了解,同年获家乡图瓦颁“二十世纪图瓦最具创意成就奖”。

Sainkho的音乐:
Sainkho那出神入化的演唱技巧固然让人惊艳,结合图瓦传统双声唱法、喇嘛与萨满巫教的传统声乐与当代发声技巧,时而像歌剧男高音般清亮,时而像鸟鸣、孩童撒娇、深沉的低吟,人们不免拿她跟Bjork、Zap Mama、Patti Smith、Nina Hagen或者Maja Ratkje相提并论,但其实奠定她在当今乐坛的特殊地位以及赋予她的音乐跨乐种、跨文化吸引力的,却是她一直坚持的实验精神。从她每张专辑都试图破格,把别具一格的演结合西方前卫爵士、即兴音乐、各地传统乐以致电子乐,加上诗化歌词,Sainkho成功塑造出一种特别强调声音技巧表现、而兼具许多不同国家传统的世界音乐。著名音乐杂志《The Wire》这样形容Sainkho的音乐:运用打击效果的喘息、啧舌声与高音域尖叫作为表情,在流行与传统音乐之外独树一帜,立足于完全不同的境界:一个纯人类、受此纪律驱动而超凡的境界。其它如《Jazz Review》以“她歌唱
的核心普世性与人性几乎有种大自然元素般的魅力&rdq
uo;,以及芝加哥世界音乐节的“令人惊叹的即兴家、声乐极端份子”等词表扬Sainkho在世界音乐圈的地位。

 

绿色旗帜—首届鄂尔多斯草原摇滚音乐会

Ordos fest 

绿色旗帜—首届鄂尔多斯草原摇滚音乐会将 于今年7月20至22日在内蒙古鄂尔多斯市成吉思汗旅游区盛大上演。届时,伍佰(台湾)、黄贯中(香港)、许巍,张楚,何勇,窦唯,唐朝,零点,罗琦,姜 昕,谢天笑等数二十余支重量级乐队将轮番登场,为观众奉上一出鼎盛的摇滚盛宴,这将是中国摇滚界最具规模的一次草原音乐盛会。

【演出安排】:

2007年7月20日   AK47、罗琦、二手玫瑰、呼日德Hurd(蒙古国)、瘦人乐队、黄贯中、伍佰

2007年7月21日   谢天笑、西山老妖、姜昕、Sainkho(图瓦共和国)、窦唯、张楚、何勇

2007年7月22日   面孔乐队、艳乐队、子曰乐队、零点乐队、唐朝乐队、许巍

【演出票价】:单日演出票价:180元    三日演出套票:380元

【演出地点】:鄂尔多斯成吉思汗旅游区

【演出时间】:2007年7月20日~7月22日

            每日演出开始时间为 下午3点
【主办单位】:鄂尔多斯市旅游局

              鄂尔多斯市旅游协会

              成吉思汗旅游区管委会

【承办单位】:东联集团.内蒙古成吉思汗陵旅游有限责任公司

              鄂尔多斯国际跨国公司促进会

              内蒙古海语文化公司

              鄂尔多斯市演出中心  

              北京树音乐有声文化传播有限责任公司

【协办单位】:华语东方(北京)文化发展有限公司

              中国国际广播电台轻松调频

              国广联合文化发展有限公司

              中青旅遨游旅行网(北京地区唯一官方指定旅游合作单位)

【总策划&艺术总监】:老妖(树音乐)

【独家网络支持】:腾讯网: www.qq.com

鄂尔多斯草原摇滚音乐会-腾讯专题页:http://ent.qq.com/zt/2007/caoyuan/index.htm

【媒体支持】:
新 华通讯社、中国新闻周刊、今日中国、中国日报、中国青年报、中国国际广播电台轻松调频、中央人民广播电台、北京交通台、西安音乐台、内蒙古人民广播电台、 CCTV-3综艺快报、凤凰卫视、香港翡翠台、香港有线、旅游卫视、东南卫视、东方卫视、北京卫视、内蒙古卫视、山东齐鲁电视台、BTV2每日文娱播报、 华娱卫视、财经时报、北京晚报、北京晨报、新京报、精品购物指南、法制晚报、北京青年周刊、南都周刊、世界名牌、凤凰卫视周刊、成都商报、长江商报、 City Weekend、北方新报、内蒙古晨报、音乐生活周刊、通俗歌曲、非音乐、千龙网、滚石杂志、我爱摇滚乐

北京地区组委会咨询及订票电话:010-64927022、64899724

内蒙地区组委会咨询及订票电话:0477-8526602

北京地区旅游咨询报名热线:400 600 6666 转 8  www.aoyou.com

中演票务通订票热线:010-64068888、64069999

订票网址:www.piaowutong.com

E-mail[email protected]

MSN
[email protected]

http://blog.sina.com.cn/lvseqizhi

友情提示:

北京—包头飞机票全价:690元/人/单程,1380元/人/往返(含燃油税,机场建设费)


北京—包头火车票:
硬座 113元/人

硬卧 201元/人

软卧 316元/人

(火车票价格参考 北京—-包头k263次

发车时间:晚6:50 到站时间 次日早7:10)

从内蒙地区飞机场到演出场地的大巴费用为:40元/人

当地蒙古包价格:150元/顶(可供3-5人)

当地帐篷价格:80元/顶(可住2人,此价格为政府限定最高价格)

[公告]

因特殊原因,汪峰不能参加原定22号的演出了。特此说明,请大家谅解。

广东现代舞团最新演出消息《天上人间》+《临池》

gdmcnew

 

《天上人间》(上半场)

艺术总监:曹诚渊
灯光设计:吴文安
1、兵車行
2、山行·秋夕
3、簾外雨潺潺
4、饯别
5、明月幾時有
6、結廬在人境
 
《临池》(下半场)
编导:刘琦
灯光设计:吴文安
音乐:李劲松
服装设计:武冰
动画设计:余雷
 
中国诗词千古流传,情景真挚,高唱底吟,令人百般回味。现代舞的内心感情流露,对人世的反思,如何与扣人心弦的诗词对应?广东现代舞团将于7月14日晚上演的《天上人间》便以七首晋、前唐、唐、宋的诗词带出六段赏心悦目的舞蹈。
 
《天上人间》是由年初的当交响乐遇上现代舞《大地之歌》经过大幅度修改而成,修改之后,只保留了原作上的一些元素,重新配上中国最原始,没有经过电子或艺术加工的民族音乐,及七首不同朝代的诗、词,将千年以来人们对天地之间的情感表现出来。
 
《天上人间》也是广东现代舞团7月被邀请到美国洛杉矶大演出季(夏季)演出的节目。同台还有刘琦力作、享誉艺术界的《临池》。广东现代舞团这次特意为广东观众率先预演一场。
 
演出时间:2007年7月14日下午3点(摄影专场)及 晚上8点
地点:广州市水荫横路13号广东现代舞团小剧场
票价:50元、40元(会员及学生)、70元(摄影专场)
订票/节目查询:020-87049512

咖喱在香港(一):The Diplomat Project

| |

uploads/200706/06_180204_1.jpg
uploads/200706/06_180217_2.jpg

时间:7月7日 8PM

场地
地址:香港新界火炭黄竹洋街15-21号华联工业中心B座4楼19室
家乡地理:火炭乃香港的外围发展区,曾是香港的重要工业区之一,工业大厦林立。随着香港工业息微,现蜕变成艺术家工作室之集中地,聚集成一个“伙炭”同盟。
Embassy Project 是个由Adrian Wong 及Samantha Culp策划及主理的实验工作室。借用学院派的研究方法,Adrian及Samantha旨在探找一种“超文化”的体验。然而,他俩的研究重点,不在于一 般学院派的统计学等陈腔滥调。他俩选择的取向,是深入其进驻点的核心本质。他俩形容自己为外交官,游走于异地现实与梦想之间。

场地主人
Samantha Culp,生于美国罗省,毕业于耶鲁大学。现任职香港中文大学,电影审查系列Superplex之创办人,亦是南华早报等刊物之亚洲艺术文化写手。现专注于写作、策展及纪录片项目。
Adrian Wong,生于美国芝加哥,原受训于士丹福大学硕士学位的心理学研究,后来转向艺术研究,并取得耶鲁大学之艺术硕士。他现于香港艺术学院任教授雕刻,并于本地及海外活跃策划多项展览。

参加艺术家
Wilson Tsang
Sherman
Edwin
何谦信

活动内容
结 集香港一众精英实验创作人及声音艺术家,是次演出将拼合原音乐器,电子音乐及Embassy Projects以多媒体展示的学院派研究成果,籍实验性构思概念,带领观众以交流形式启航,体验一次深入本土文化的破格实验。当晚的交流成果,将会由 Lona Records制作成3”CDR出版发行。这是一个旨在打破界限的外交使命,关于不同媒体、不同角式及不同社群。

如何参加
发信至[email protected] 询问;或留意www.fotanian.com上的公告。

策划 + Sponsor:Lona Records
概念:Alok, Sin:Ned, KWC, fathmount, Samantha Culp, Adrian Wong

附:参加艺术家介绍

Wilson Tsang
曾永曦,自幼随母研习古典钢琴,其后受外国多种音乐潮流影响下,开始探索不同之音乐风格,包括摇滚、民谣、爵士怨曲等,并于九十年代初正式以业余身份进入香港独立音乐圈子。

在1993 年,曾创作及演出首个个人音乐会“热壸仔音乐故事”,作为当年艺穗节节目之一;于95年,曾与本地作家小西及朗天合作,创作“给阿米巴节信”——一个结合 舞台,音乐及动作之剧场;在97年,曾与另一本地音乐人潘德恕合作,举行多媒体音乐舞蹈剧场“极乐世界一九九七”,并邀请日本编舞者松岛诚进行创作,曾亦 于此演出中同时以乐手及演员身份出现,于年末,其音乐部份亦以CD形式公开发行。

98年初曾再度参与艺穗节,并进行其第二个个人音乐创作剧“卵石屋之歌”,并请来本地录像人卢燕珊负责视像及服装设计;由’00年至’02年间,曾亦3度被澳门石头公社邀请,参与当地之街头文化活动。

除了音乐创作之外,曾亦同时活跃于本地之视艺工作包括公开其画作及参与不同大小的展览,曾并为本港不同之刊物及杂志作插图;于96年,曾编绘及出版其创作故事集“12 Tales in 11 Monochromes”,并得到香港艺术发展局资助。

曾现职平面设计师。

Sherman
何嘉进﹐Sherman﹐二十三岁﹐不善辞令却爱制造声音﹐也写作。他的首张个人作品“Politely We Grow Old”于2006年发表于Lona Records名下。

Edwin
生 于一九八四年情人节。现为香港城市大学创意媒体二年生。深爱读各类书本、聆听各类声音作品。 2006年开始创作声音创作。其声音作品见于脑波交流 (BrainWave Communication) 合辑《BrainWave Communication VA》以及由小声(Little Sound) 在今年五月出版的三吋唱片。

何谦信
ahshun aka bjornho
1984 年生。大学主修创意媒体。
为乐团成员、﹝自称﹞艺术家。
致力研究声响、影像、文字。

ZBIGNIEW KARKOWSKI – Uexkull

ZkAT 

Audio Tong present a re-edition of Zbigniew Karkowski’s early piece, Uexkull. Not available on CD anymore, here you can download it for free as an 320kbps mp3 or high quality .aiff file.

Uexkull is one of the first works published by Zbigniew Karkowski. It was composed between 1988-89 in Gothenburg, Sweden and Paris, France.

Originally released on Anckarstrom label in Gothenburg in 1990, Uexkull was realized at Ateliers Upic in Paris, EAM studio at State College of Music in Gothenburg and Computer Music Studio at Chalmers University of Technology in Gothenburg.

instruments used are:
double bass
UPIC (Unite Polyagogique Informatique du CEMAMu)
Serge analogue modular synthesizer

alto voice – Karin Westman

 

download here:

http://audiotong.net/audio/releases/tng1023-en.html

 

數位版權是正確的方向嗎?作者:詹宏志

數位版權是正確的方向嗎?作者:詹宏志

直至今日,唱片公司仍然覺得它必須偵測消費者使用著作權的行為

,不管這個管控是否給消費者帶來不便。它的結果就是使消費者波濤洶湧地離開正版唱片,完全無視合法權益,甚至淹沒在新科技革命的快感中,沒有絲毫罪惡感……

全文
http://mypaper.pchome.com.tw/news/mflo/3/1287439117/20070531010734/

網際網路全面發展之後,其中一個困擾觀察者或行政單位的「現象」,是它輕易「助長」了侵犯著作權的行為。

從事音樂工作的人對這個現象可能感受最深。就拿台灣來說吧,台灣唱片業全盛時期一年總營收超過新台幣一百億元(譬如一九九七年合法唱片業者就還有新台幣一 百二十三億元的銷售總值),網路發達之後,非法音樂下載盛行,正版唱片業者的營業總額步步下滑,到了二○○二年,唱片業的銷售總額已經跌到不足五十億元, 收入足足憑空蒸發了六○%,整個行業從上游到下游都面臨絕滅的危機。

為什麼會發生這樣的事?台灣社會在八○、九○年代透過教育與執法,好不容易逐漸使國人揚棄盜版唱片、錄音帶,唱片業才有了一段短暫的好景,不料到了二十一 新世紀,尊重著作權的觀念再度翻轉毀棄,黑暗時代又重新來臨,歷史進化好像走了回頭路。社會在進步,為什麼著作權的受尊重程度會退步?

音 樂業者先是怪罪個人電腦附屬周邊設備的光碟燒錄機(盜版行為因此從不肖業者轉為普通個人),後來則更無法諒解網路上可交換檔案的P2P軟體及其提供者(他 們甚至發動司法權利,對下載音樂的大學生展開策略性的攻擊),但現在回頭看,事實上,這些指控讓他們與使用者愈走愈遠。

遠在多媒體個人電腦剛推出之時(那是一九九六年的舊事了),我有一次就在國外雜誌讀到一篇文章說,年輕人購買一部光碟燒錄器的費用,只要翻拷一套《披頭四 全集》(Beatles)就全部回本了,很難不叫他們做這件事。網路上的音樂下載更嚴重了,邊際成本根本是零(你沒有因為下載內容而增加任何成本,上網的 線路費用你本來已經付了),叫年輕人更加難以抵抗誘惑,年輕人本來是音樂消費市場的主力,主力不再花錢買音樂,音樂產業的困難可想而知。

問題是,不管是光碟燒錄或網路下載,這種使用音樂的行為都是更進步也更方便了,儘管並未合法,它們是「深得民心」的。音樂產業第一時間拒絕與使用者的「方 便」站在同一邊,只希望保持自己的「(收費)方便」,堅持要消費者繼續購買明顯已經落伍的CD唱片,它的結果就是使消費者波濤洶湧地離開了正版唱片,完全 無視於合法權益的存在,甚至淹沒在新科技革命的快感中,沒有絲毫罪惡感。

蘋 果公司突破現狀,結合新的硬體iPod,推出第一個成功的音樂下載服務iTunes,終於讓使用者有機會用他們更喜歡的方法「合法」取得音樂,儘管合法下 載音樂比起非法下載的比例仍低,但合法下載的成長速度已經極驚人了。其實台灣著作權歷史上有過合法錄影帶與非法錄影帶的競爭個案,很多人以為盜版者省去版 權費,應有價格優勢,事實不然,有價格優勢的盜版者彼此分食,利益消散,反倒合法錄影帶有不斷投資改善服務的可能,最後勝利者是合法業者。音樂下載依我 看,也有走向樂觀的可能,因為並不是所有的使用者都想面對犯法的風險,過去他們只是得不到合理的服務而已。

音樂產業的覺悟來得很遲,到現在多半還一錯再錯,「數位版權管理」(digital rights management,DRM)極可能會變成另一個錯誤的方向,至少其中一個有名的錯誤就是新力公司的「rootkit事件」。二○○五年底,一位資訊安 全工程師無意中發現,新力公司在他們新發行的CD唱片暗藏了一個間諜程式,當你透過電腦播放時,CD中的暗藏程式會自動安裝進入你的電腦,並且用它來偵測 未來你翻拷CD唱片的狀態,並能在你重複翻拷該唱片三次之後,就讓你的電腦無法讀取這張CD。消息曝光之後,群情大譁,新力公司就是搬出「數位版權管理」 作為辯護的理由。

但不管是什麼理由,不經過消費者同意,甚至讓消費者毫不知情,以駭客式的間諜行徑偷偷摸摸闖進消費者電腦後門,當然是「太超過了」。這個冒犯眾怒的個案可能只是罕見的極端例子,最後新力公司不得不承認錯誤,並回收這些隱藏惡意的CD,但公司聲譽和消費者關係已經大受損傷。

我覺得這個事件更值得注意的是事件背後的「思想」,也就是直至今日,唱片公司仍然覺得它必須偵測消費者使用著作權的行為,必須對自己的版權做更嚴格的管控,不管這個管控是否給消費者帶來不便。

目 前各種「數位版權管理」的方案都太複雜了(不限於音樂,電子書、雜誌也都是如此),都太小氣了,保護太多了,對使用者的使用條件考慮得太少了,甚至都比 「前數位時代」麻煩。即使是蘋果公司的iTunes和iPod也是如此,譬如說網路的接近早已沒有國界,iTunes的販賣卻還分國別授權,價格差距也不 小(英國拜英鎊高價之賜,英國人買一首歌的價格是美國人兩倍以上),而台灣至今沒有iTunes的合法服務,使得你買的iPod(和iTunes服務相連 結的),其實會成為一部自找麻煩的MP3 player。

當然唱片業的自我辯護可以想像,他們一定說他們必須保護版權以及其中的利益,數位工具巨大的複製能力讓他們心生畏懼,他們不相信消費者的善意,寧願相信 DRM。但為什麼不想想網路服務的眾多例子?很多重要的服務與內容是「免費的」(譬如Google的搜尋),這並不妨礙他們找到「獲利」的途徑。內容業者 不應懶惰,著作權的價值體現一定有更好的方法,一種配合新科技帶給消費者方便的方法,而不是防消費者如防賊的DRM。

 

I'mPULSE Clandestino: 4th Asia-Europe Music Camp

 flyer clndstn

I’mPULSE Clandestino: 4th Asia-Europe Music Camp

I’mPULSE is an initiative by the Asia-Europe Foundation (ASEF) to nurture the development of innovative methods and practices in music through the empowerment of young musicians from Asia and Europe, and the encouragement of continuous dialogue amongst them.

I’mPULSE began as an Asia-Europe music workshop in the Philippines in 2005, connecting traditional musicians from Asia with classical musicians from Europe. At the end of that year, I’mPULSE also gathered traditional singers in Ireland. In 2006, ASEF co-organised a programme for Asian and European DJ’s in Beijing, focusing on comprehensive digital music experimentation. I’mPULSE continues to be a unique platform for multilateral artistic exchanges between musicians of both regions.

This year’s I’mPULSE, focused on dub music, is co-organised by ASEF and the Clandestino Festival. Both organisations share the goal of encouraging dialogue and enhancing collaboration and facilitating experimentation opportunities for artists. I’mPULSE brings together 25 professionals (young artists, VJ’s, lecturers and curators) from 16 countries in Asia and Europe for a series of closed-door workshops and rehearsals. Participants of I’mPULSE will then bring the fusion of ideas and their musical exploration to the public through performances during the Clandestino Festival.

http://www.myspace.com/clandestinofestival 

http://www.asef.org/

18000018018018401 [SWEDEN]

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18000018018018401 describes herself as an experimental musical illiterate with a great fascination for music as a concept. The way a construction of percussive language and sound fragments can be combined into units is a highly spiritual and intellectually stimulating process. Her composing is steered by the affection of creating visual patterns of sound components. The eye is as important as the ear. The music could be defined as industrial dub electronica wave – somehow club related. She is also part of the audiovisual art concept The Konference, promoting sustainable evolution, and collaborates more in depth with electronica producer hab.

Dub Terror [ITALY]

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Dub Terror is a London-based music project specialised in bass-heavy dubs and futuristic electronic music production. It’s conceived and operated by Italian producer Simone Lombardi and signed to Zion Train’s Deep RootUniversal Egg label. After joining the local music scene in his native town, Turin, Simone realised how big the crave for creative spaces was among the youth, as big as the social discomfort towards the institutions. The struggle towards a grey and impersonal society became the leading force behind his determination in becoming a successful music producer and plays a central role in establishing his musical identity. His approach to making music is freeform and instinctive, usually preparing multi-tracks, recording several versions and only then choosing the one that his instinct leads him towards, in the style of the dub pioneers. He plays with the mixing desk as if it was part of the music, like a director, and produces the final track as creating a story. He sees each instrument as a different character, bringing its own personality to interact with other instruments, as actors do in a play.

Genys [LITHUANIA]

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As a child Jevgenijus Konstantinovas spent nine year at a music school. In 1995 he started working as a MC in UZI, a hip hop group that dominated the charts in his country Lithuania. During his experimental period DJ Genys started collecting jazzy hip hop, dance hall, soul, broken beat, ragga, roots reggae, ska and dub. As one of Lithuania’s biggest VD’s, he performed his own favourite music from the Baltic coast, and organized parties for hungry ears all around the country. DJ Genys LP:s have also been played in Berlin, Belgium, Russia, Latvia and Sweden. Two years ago, Geny started the electronica project Dublicate, a co-operation with Paulius Kilbauskas. The band has performed live together with big names such as Rhythms and Sound, St. Paul Hilaire, Roni Size, MC Dynamate, Togetha Brotha Soundsystem. He participated in the Rotterdam film festival in 2006 och at the Baltic electronica festival in Dortmund in 2007.

Jethro Joaquin [THE PHILIPPINES]

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Jethro Joaquin is a sound designer, educated at the acting studio of the University of Phillipines, whose sound art has been performed at the Prague Quadrennial and World Stage Design in Toronto. He shapes sound landscapes and works with derivations of already existing pieces. He also runs the company Sound Bay Recording Studio, and works with different theatre projects. Joaquin also produces music outside the theatre, where he creates dub inspired electronica pieces by using the inherent sound caracteristica of maximalized every day sounds, such as rain, traffic and thunder. He has toured around Europe and North America with these compositions dealing with the dub landscape of acting.

Manucher [AUSTRIA]

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Manucher is a music producer involved in various projects, and a DJ and organizer, resident in Vienna. The aim of his different music projects is to show the necessity of global co-existence. Manucher is himself influenced by contemporary music created through meetings caused by modern migraton. His work has through the years resulted in many interesting co-operations with artists such as Roots Manuva, Asian Dub Foundation and State of Bengal. In 2006 he started the label 01 Recording, that produces eastern influenced experimental electronica.

Masanori Amakura [JAPAN]

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Masanori Amakura is one of the prominent figures of the new generation of progressive Japanese musicians. As a percussionist he is inspired by different kind of music, including jazz, African rhytms and Japanese techno pop. His musical width provided him with the opportunity to combine drums, percussion and computers in a unique way. Masanoris homemade instruments, produced by junk, scrap and kitchen utentils are also a peculiar part of his sound image. Masanori was born i Hiroshima, but moved to New York at the age of twenty.

Mel Gray [IRELAND]

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Mel Gray, a.k.a Eating Betty, is originally from Irland, but is now resident in New York. His occupation is to try and find the perfect rhythm and to develop the ultimate dub, through both digital and analogue means. He is inspired by the dub artists of the Jamaican 70’s, and combines the traditional elements of dub with modern instruments and recording techniques with the aim to create a music that sounds at the same time retro and progressive.

Molecule [FRANCE]

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The French artist Molecule is among others influenced by Basic Channel and Scape Productions and mixes dub vibrations with minimalist electronic sounds and hip hop experiments. He performs on stages around France, and is inspired by Pink Floyd as well as Debussy and uses both bass and Indian sitar as musical instruments. In co-operation with artists such as Jamalski, Leeroy (Saïn Supa Crew), HoneyChild and Webbafield, Molecule has composed music for visual art. In March his album In Dub V1.0. was released.

Nuphlo [UK]

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Nuphlo’s DJ carrier began at a local pirate radio station in Leeds, where he played a range of eastern influenced electronic music. Through friends he was given the opportunity to experiment with music production, which led to a shift of focus from DJ:ing, and the interest in production itself flourished. After a few years of sending out demos to labels, he caught the eye of Nasha Records in London, who started getting involved in his musical development. The co-operation has recently led to his participation with some dubstep and drum’n’bass tracks on their forthcoming LP.

Rachel Saraswati [INDONESIA]

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The Indonesian musician Rachel Saraswati combines classical pop, blues and jazz with traditional Javanese and Balinese dancing. She is one of the founders of Next to Kin, a group which is behind the performance project Rhymes of Passage och mixes different art forms with the aim to overcome the cleavage between popular culture and high culture. She has earlier participated as a vocalist in the percussion group Gebuin, and she also experiments with modern and classical song in her music production.

Slimmah Sound [THE NETHERLANDS]

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Slimmah Sound is Tim Baumgarten from the Netherlands. Over the past few years he has been producing roots reggea. He has participated on the LP Dub Shoe, Episode One, released by the German label Dub Flash. He has played at festivals and on bigger stages around the Netherlands, and in 2007 the record Love Fire Burning, a musical co-operation with the singer Jah Melodie, will be released at the Dutch label Bush and Shadow.

Sweet Susie [AUSTRIA]

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Sweet Susie has been an active DJ for almost fifteen years, and is regularly hired by clubs all around Europe. She is based in Vienna, where she also works as an artist and hosts the legendary Dub Club. The club, which has existed for twenty years, mixes dub with hip hop, jungle, break beat and brazil, and has been visited by icons such as Mad Professor, Jungle Brothers and Gangster. Sweet Susie is also herself a musician and an artist. During the last three years she has had a close co-operation with Mani Montana and the duo is at present producing an album where pop, dub and jazz is combined.

Tri Minh [VIETNAM]

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Since the beginning of the 90s, after graduating from the Hanoi music conservatoire, Tri Minh has played jazz at different places in Hanoi together with other young musicians. After a period of jazz improvisation, he started exploring his own territory within the electronical music. In 1999 this resulted in solo performances on various scenes. Tri Minh has established himself as the first true electro music artist in Vietnam. His ability to combine electro sounds with classical Vietnamese music has made him famous as an avant-garde musician and sound artist.

Variam [SWEDEN]

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Mariam Wallentin, a.k.a. Variam, is from Örebro and has sang everything from pop to soul to jazz. Besides her own projects under the name Variam, she sings in many different groups such as, Wildbirds and Peacedrums, Backdrop, Sinclair/Wallentin duo Lindblad StudioShowcase, and XiaoHe, and has also guest stared artists such as Papa Dee and Laakso. At the moment she is studying at the Individual Improvisational Performance program at the University of Gothenburg. She has participated in different art projects and has co-operated with film creators and dancers such as Marta Dauluite, Moa Matilda Sahlin och Ylva Henriksson. In the autumn of 2006 she lived in Beijing to study the musical scene of China.

Vidya [SWEDEN]

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Vidya has been described as a mix of Björk, Ella Fitzgerald and Pippi Longstocking, but only identifies with the last-mentioned. She workes with improvisation and transcendent stage art, mostly alternating between singing, talking och telling poetry, and uses her own made-up language. She can be seen in different artistic contexts, has perfomed at the biggest Swedish scenes and co-operated with musicians of different genres. She currently works with the design and art collective Thekonference, a project for a more durable world.

ZenLu [CHINA]

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ZenLu is an experimental musician and sound artist, who lives in Chinese Shenzhen. In 2002 he founded the post-rock group Conciousness, and two years later he joined the group YOUNG CRAZY. He has a great interest in experimental electronica and industrial noise, and in April 2006 he started the band Zen Bobo, which completely focuses on minimalist ambient music.

Mad Professor & Blonddub Sexy Sound [UK]

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Blonddub Sexy Sound is the name of the Israeli producer, singer and songwriter Orly Frinder, who mixes dub with dancehall and electro on her debut EP Blonddub Sexy Sound. She is a former member of the world music group Auru and has cooperated with Sir Larsi, Dub Rogue and Yossi Fine. On her record she combines echo effect and percussion, and her satirical lyrics often speak about the role of woman in society. Her next record, with the title God Save the Empress, will include numerous musical co-operations. Together with Mad Professor (see artists) she will hold a workshop.

Dr Das [UK]

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Dr Das is a bass player, programmer and producer, and one of the founders of Asian Dub Foundation, developed through the workshops he ran in London during the 90s. Recently his first solo album Emergency Basslines was released; an instrumental record that puts the emphasis on melody and driving basslines, mixed with distorted Indian och Arabic percussion loops. He defines his music as dubnoise, and is at the moment engaged in preparing his second solo album SUDAMALA VOL 1. Dr Das has also been involved in two other records and in numerous co-operations, productions and remix projects.

Dickson Dee [CHINA]

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Dickson Dee has been involved in the music business in Hong Kong, China och Taiwan for more than twenty years, and has had a great influence on the development of Chinese underground culture. He started his career as an importer of European independent music and has ever since been active as a producer, composer and curator, and has also started a label under the name Dicksonia Audio. Dee performs under several names depending on what he plays, such as Li Chin Sung, DJ Dee and Koomi Soundmachine. The music can be described as aborderland of electronica, art music, avant-garde jazz och industrial noise.

Daito Manabe [JAPAN]

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The producer Daito Manabe’s goal is to constantly redefine existing media by attacking it from new angles. He creates sounds, lights och images by analysing and converting numerical data from sensors and various recording instruments. Daito’s background as a mathematician and programmer makes it possible for him to constantly be at the cutting edge of the development of electronic culture. He has co-operated with dancers, designers, artists, performance artists and fashion producers all around the world, the last time was with Ryichi Sakamoto.

 

Steve Barker [UK]

Steve Barker has been braodcasting on the BBC for almost thirty years, his On The Wire show (www.onthewire.uk.com) was first broadcast in 1984 with Adrian Sherwood as special guest on the first programme, the show is still running today. Over the years Stev has interviewed many of the reggae great including Augustus Pablo, Burning Spear, Dennis Brown, Joe Hill from Culture and Lee “Scracth” Perry. Steve has been an associate of both On U Sounds and Pressure Sounds record labels, writing sleevenotes, reseaching samples and performing an ad hoc A&R role. For the past ten years he has writtent the dub column for the Wire magazine. He has lived in Beijing, China for the last five years and plays the occasional DJ for the Upstepper Crew or Beijing Home Town Hi Fi, appearing as DJ Lao Lao Shu (DJ Old Rat!)

 

VJ Milosh [POLAND]

VJ Milosh

The visual intermedia artist, video director, performance artist and painter Milosz Luczynski has lived and worked in Paris since 2001. After having studied anthropology at the university and art at the art school of Cracow, he then moved on to study in communucation and multimedia at the art school of Tolouse. The passion for music and performance opened new doors within the electronic culture. He started working as a VJ at raves i Cracow in 1996, and shortly afterwards he entered the electronic scene in Germany. At the same time as he was VJ:ing on scenes in Berlin, he produced videos and installations. Milosz projects are characterized by a mix of images, sound and texts. He co-operates a great deal with musicians in electronica, composers in contemporary music, poets, writers, and visual artist. Since 1995 he has performed his projects more than 300 times in several countries, on three continents.

VJ Mo-P [Sweden]

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Miguel-Oliver Pissarra, born in the 70’s on the other side of the equator, is a multi-disciplinary designer & audiovisual artist who, fascinated by the effect symbols have on the conscious and subconscious, started working professionally with graphic design back in 1996. Over the years he has furthered his exploration on the impact of visual culture in a myriad of other mediums such as photography, film & 2D / 3D animation tools to convey a message, tell a story or simply create a reaction within …

PARTICIPANTS I’mPULSE Clandestino:

Manucher Raschidy (a.k.a Manucher, Austria)
www.myspace.com/manucher

Susanne Rogenhofer (a.k.a Sweet Susie, Austria)
www.myspace.com/dubclubvienna

Lu Zheng (China)
www.zenlu.com
www.weplayrec.cn

Delahaye-Serafini Romain (a.k.a Molecule, France)
www.myspace.com/moleculeproject

Mel Gray (a.k.a Eating Betty, Ireland)
www.acetonestudio.com/eatingbetty.html

Simone Lombardi (a.k.a Dub Terror, Italy)
www.myspace.com/dubterror

Jevgenijus Konst

antinovas (Genys, Dublicate, Lithuania)
www.myspace.com/dublicate

Milosh Luczynski (a.k.a VJ Milosh, Poland)
www.vjmilosh.com

Tim Baumgarten (Slimmahsound Dub System, The Netherlands)
www.myspace.com/slimmahsounddubsystem

Mariam Wallentin (Sweden)
www.wildbirdsandpeacedrums.com
www.myspace.com/wildbirdsandpeacedrums
www.myspace.com/mariamwallentin

Vidya-Liselotte Sundberg (Sweden)
www.myspace.com/vidyalise

Karin Holmgren (a.k.a 18000018018018401,
Sweden)
www.myspace.com/18000018018018401

Miguel-Oliver Pissarra (a.k.a VJ M-OP,
Sweden)
www.myspace.com/supremefidelity

Manjinder Sandhu (a.k.a Nuphlo,
United Kingdom)
www.myspace.com/nuphlomusic

Thang Doan Huu (a.k.a Tri Minh,
Vietnam)

www.em411.com/triminh
www.soundclick.com/electrovn
www.myspace.com/triminh05

LECTURERS I’mPULSE Clandestino:
Neil Fraser (a.k.a Mad Professor)

www.myspace.com/madprofessordub

Aniruddha Das (a.k.a Dr.Das)
www.myspace.com/drdas

Orly Frider (a.k.a Blondub Sexy Sound)
www.myspace.com/blondubsexysound

Daito Manabe
www.daito.ws/

Dickson Dee (a.k.a Li Chin Sung)
www.myspace.com/dicksondee
http://blog.dicksondee.com/?page_id=9

Steve Barker (On the Wire/BBC Radio)
www.onthewire.uk.com

 

07大声展参展艺术家名单公布

http://www.getitlouder.com/

按作品类别:

建筑
Benjamin Beller
Chan Studio (何京蕴+何颖雅+長岡法秀+谢婷婷)
陈海亮+ 傅宗文
多相工作室 (陈龙+陆翔+胡宪+贾莲娜)
冯果川+ Aaron Robin + Laura Belevica
谷巍
Andrew Lazorchak + Wu Lan + People’s Architecture
刘宇扬
刘密+马斌 (Brendan McGetrick)
嗯工作室 (朱晔+徐浪+魏皓严)
qT Studio (胡倩+高桥邦明)
上海偏建设计 (成美芬+黄向军+周易昕)
施国平 (纯粹设计)
在场建筑 (钟文凯+徐千禾+刘宏伟)
下划线工作室
王晖 (有限设计)
未名空间 (李静晖+杨帆+胡罡)
朱涛+ Olympia Kazi
祝晓峰 (山水秀)

产品
(BY) 林柏叶+苗微微
蔡凯
郭晓+张丽妍
何薇薇
李明
吕永中
石川@广州
吴明伦

时装
朱宝君
高欣
何艳
Masha Ma
Matchbox (徐燕辉+ 丁宁)
破壳 (窝窝/金宁宁+早/司玮)
邱昊

视觉
223 (林志鹏)
白小刺 (沈晓鸣)
曹斐
常锦超
陈曼
巧克力橙子 (乔成)
戴耘
DN (唐彦)
耿鹏
广煜+潘攀
黄炜东
大婴 (任亦)
Charlie Koolhass
林海东
Ling (高灵)
刘治治
陆国贤
路路 (李心路)
麦永曦
孟瑾+方二 (廖方瑜)
More (蒋振华+顾佳艳)
My Little Dead Dick (马蒂/朱薇+Patrick Tsai)
彭&陈 (彭杨军+陈皎皎)
乔小刀 (乔西)
Rex Koo
尚盈
田园
魏超+吴永红+陈飞波
肖华
小马哥+橙子 (马慧敏+郭承成)
薛问问
周蓓丽
Ziboy (温凌)
子杰 (李俊)

电影
甘小二
高文东
许学文
李红旗
凌宇瀚
彭磊
陈翠梅
王笠人
卫铁
吴明金
杨恒
应亮
张跃东
赵晔

声音
718 (孙雷)
Alok
B6 (楼南立)
白天
陈志鹏
李劲松 (Dickson Dee )
Fathmount (李庆贤)
Frishzelle
洪启乐
欢庆
黄锦
iLoop (罗浩)
积木 (蒋竹韵)+石川@杭州
李戴果
李剑鸿+ Vavabond (韦玮)
李琨
林其蔚
麻沸散
me:mo (翟瑞新)
No One Pulse
Sin:Ned (黄仲辉)
Sulumi (孙大威)
顶楼的马戏团
虐待护士 (Torturing Nurse)
王凡
许雅筑
杨韬+ aaajiao (徐文恺)
Zafka (张安定)
Zenlu (陆正)

英国专题
Åbäke
Assa Ashuach
Marloes Ten Bhomer
Danny Brown
Sam Buxton
Celine Condorelli + Gavin Wade
Shezad Dawood
D-Fuse
Martino Gamper
Simon Heijdens
Julia Lohmann
Neil Rock + Newbetter
Troika
Wokmedia

日本专题
福山正紘
近藤聡乃
さわひらき (Hiraki Sawa)
辻川幸一郎

LEGO Project
Atelier Bow-wow
艾未未
Sean Godsell
Bernard Khoury
李兴钢
马清运
Map Office (Laurent Gutierrez + Valerie Portefaix)
都市实践

讲座
Kyong Park