Hadaka: C


“Manifest plainness, embrace simplicity, reduce selfishness, have few
desires.” – Lao Tzu

Hadaka is a series of four sound performances featuring acclaimed local
and international artists and producers. The central concept of Hadaka
is reduction and subtraction, hence its name: to strip down, to denude.
The four performances also correspond to the four-colour subtractive
model of the CMYK (Cyan, Magenta, Yellow, Black) colour standard. By
tearing away the embellishments of structure in music – the ordered
configurations of tonality, melody and and rhythm – and reducing it to
its most primal elements, Hadaka represents a return, not so much to
the unchallenged notions of the past, but to the fundamentals of sense,
thought and action, privileging the exploration of basic sounds, raw
perception, and untutored collaboration above overformulated stylistics
or the mastery of forms.

An amorphous assemblage of human wills and ever-shifting meanings as
well as a sonic palette that ranges from the darkest to the exuberantly
physical, Hadaka resides within the nooks and shadows that punctuate
the line between music and sound, between art and thought, between
noise and non-noise, between randomness and design. While music is
commonly presented as fully-formed hierarchical compositions, the
performances in Hadaka use sound as basic concepts to construct
free-form rhizomatic fields, extending sound laterally and spatially.

Hadaka is conceived by Yuen Chee Wai, researched by Alwyn Lim and Alex
Goh, and produced by Vivian Wang.

Hadaka: C, the first in the series, presents world renown avant garde
improvisor, and one half of Japanese psychedelic / punk / free rock
duo, the Ruins, drummer and vocalist Yoshida Tatsuya. Also in Hadaka: C
is Dickson Dee, a sound artist from Hong Kong who also runs the
successful NoiseAsia label, and Koichi Shimizu, a sound artist from
Bangkok, who recently sound designed Pen-ek Ratanaruang’s critically
acclaimed new film, Invisible Waves. They will be joined by Timothy
O’Dwyer, Yuen Chee Wai and Zai Kuning.

The sequence of performance for the night emphasises on the
reductionist idea of Hadaka. The number of performers within the improv
units decreases from 3, to 2, to 1.

Performing in this order:

Zai Kuning, Tim O’Dwyer & Koichi Shimizu
Dickson Dee & Yuen Chee Wai
Yoshida Tatsuya

3 June 2006 (Saturday), 8pm
at the Singapore Art Museum, Auditorium
$15 tickets available at the door.
For more details, please email [email protected]

Presented by sporesac with the support from the Singapore Art Museum.

myspace

http://www.myspace.com/dicksondee  (Dickson Dee)

http://www.myspace.com/noiseasia  (Noise Asia)

Http://www.myspace.cn/hkdjdee  (Li Chin Sung) 

http://www.myspace.com/djdeehk   (DjDee) 

http://www.myspace.com/dicksonia  (Dicksonia Audio) 

http://www.myspace.com/khoomiisoundmachine 

(Li Chin Sung & Khoomii Sound Machine) 

http://www.myspace.cn/ensemblelinktogether  (Ensemble Link Together)

http://wwwcn.myspace.cn/skyboxchina  (Skybox =Zenlu+DjDee) 

http://www.myspace.com/wfddmusic  (wfdd=wang fan+dickson dee) 

C.C.C


时间: 2006年5月13日 晚8:00
地点: Bunker酒吧 (广州环市路广良大厦首层,动物园南门站)
Time: 8:00PM, 13 May 2006
Add: Bunker bar, 1F, Guangliang Plaza, Huanshi Road, Guangzhou

演出乐队 Live Band:

A (广州)
小河 (北京)
非他 (香港)
顶楼马戏团 (上海)
噪音合作社(香港)

门票: RMB 50元
学生票: RMB 30元 (不设预售票,仅限演出现场)
预售票联系电话:13580334244
联系人:BGG

Li Chin Sung & Khoomii Sound Machine

Eclectic Tales from Mongolia

a new eclectic music project with traditional, jazz and avantgarde musicans from Mongolia, China, Korea, Argentina, Germany, Sweden

commissioned by the Hong Kong Leisure and Cultural Services Department,Premiere at the Hong Kong New Vision Festival 2006

1.Li Chin Sung—————concept,composition,electronics,laptop,turntables
2.Park Je Chun————–drums and percussions
3.Valentin Garvie———–trumpet
4.Jonas Hellborg————bass, arrangement
5.Josef Novotny————keyboard
6.Ganbaatar Khongorzul —–long song
7. Damdin Gantulga ——–khoomii, bishguur
8.Nerguyi Naranbadrakh—khoomii ,morin khuur,tsuur
9. Kikhlai Burgedbaatar –———-morin khuur

Crew

Hannes Nimpuno————producer
Jack Guo———————soundman
Tania Goh———————tour manager
Oogii—————————mongolian interpreter



Check me out!

突然想说点什么!

from junky’s blog
前面看harshnoise bbs有个帖子是”你靠什么为生?”,我认识的一个小伙子Rick Winn(Directbrainstimulation,同时经营磁带/cdr lable:SI Records) 说自己是肯德基的服务生,通过他的电子邮件认识他的,他希望能个Tn出张split,很快DirectTorture 1就出来并邮寄到我的手上了,虽然是手工diy制作,但非常用心思在包装上面,他说他没有很多钱,所以先只做了10盘,给我5盘,等一段有钱了多做些再邮寄过来,他的那个小得不能再小的lable每个新品种先做很少一部分,等别人需要购买了,他再用寄来的钱做更多,从他的介绍上知道,他23岁,结婚了,并刚刚有个孩子,他老婆老是抱怨他把太多时间/金钱放在噪音上面,看得出他是一个非常非常热爱噪音的美国小伙子!

另一个例子是Partick Neve(Cryptic Weevil,同时经营现今美国尤它州最好的噪音cdr lable:Obscurica Records, 发行过Emil Beaulieau/Government Alpha等世界级噪音计划的唱片),他在一所中学负责体育比赛音响工程,现年36岁,和妻子有一所房子,也刚刚有一个孩子,他从1983年就开始尝试做噪音(13岁!),有个不成功的噪音乐队The Tress Ate the Children,他把几乎所有的钱都用在了出版上面,包括artis copies的邮寄!!

上面只是两个例子,我打交道的几乎所有的外国噪音乐手/lable都把这当成他们的生命!!!

Tzadik Label Music Series: New Voices from Japan – Haino Keiji, Makigami Koichi and Yamataka Eye

Performing Arts Spring 2006

Friday & Saturday, May 12 & 13
7:30 pm

Curated by John Zorn. Presented in association with Tzadik.

An unprecedented meeting of avant-garde masters of experimental music, these two evenings of extreme vocalist-musicians launch Japan Society’s new music series collaboration with Tzadik, the nonprofit record label founded in 1995 by John Zorn. Over two concerts, a surprising combination of solos, duos and trios produces an unpredicatable kaleidoscope of sounds and screeches, featuring the boldest vocal works in Japan’s new music scene: vocalist-composer, theremin-player and pioneer in avant-noise-music Makigami Koichi, known for leading the longest-running underground band Hikashu; disturbing iconoclast Yamataka Eye, who first garnered public attention with his violent noise group Hanatarash and later as the front man vocalist for the Boredoms; and underground noise guitar-hero Haino Keiji, Japanese wizard and true star. This dynamic meeting features U.S.-based guests voice-master and leader of Fantomas Mike Patton; American post-classical composer Jim O’Rourke; breath-taking laptop pioneer Mori Ikue; and radical composer-saxophonist John Zorn himself.

Tickets: $30/$25 Japan Society members.
2-day pass: $46/$38 Japan Society members. Please call (212) 715-1258 to purchase the pass.