V.A. AN ANTHOLOGY OF CHINESE EXPERIMENTAL MUSIC 1992-2008

Mainland China, Hong Kong, Taiwan, Singapore, Malaysia
SR265

SR265 digipack(2)

4 CD SET DIGIPACK
+ 2 x 16 PAGE BOOKLETS

SR265
barcode
5411867112655

AN ANTHOLOGY OF CHINESE ELECTRONIC MUSIC (1992-2008)
from Mainland China
(Beijing, Shanghai, Chengdu, Guilin, Hangzhou, Shenzhen, Guangzhou, Fuzhou, Shanxi, Harbin)
Hong Kong – Taiwan – Singapore – Malaysia
This anthology features 48 artists from within the Chinese area of influence. It is designed
as a journey through what is currently happening underground, under extremely diverse forms.
It also looks at the recent past and the key role of pioneers like Wang Fan, Dajuin Yao,
and also Hong Kong-based Li Chin Sung aka Dickson Dee who, for almost two decades, has been
spreading the word about Experimental music in Mainland China. This album was curated by
Dickson Dee on Guy Marc Hinant’s invitation. It includes an enlightening presentation on the
short yet intense advent and history of the Chinese noise explosion,co-written by Zbigniew
Karkowski and Yan Jun.

The Sound of the Underground
An Overview of Experimental and Non-Academic Music in China

The Chinese Cultural Revolution (1966-76) in one way or another eradicated most of the
existing culture in China. At the same time as intellectuals were sent to rural labor camps,
countless ancient buildings, antiques, books, paintings and various artifacts were just
destroyed. This period created an enormous intellectual, cultural and artistic vacuum in
China – destruction that in a sense, time is still healing.
So tradition of music culture and especially non-academic, purely experimental music,
started from ‘point blank’ scratch sometime in the 80ies. With the market economy
introduced in that decade and further media developments in the 90ies, there was a kind
of an explosion in youth culture that had been held back for decades. Movements and music
scenes that previously never reached China – like for instance psychedelic music, punk
or neo-dada started to appear and expanded at astonishing pace.
The birth of these alternative rock and punk music scenes that later developed into even
more experimental trends is a direct result of global capitalism and profound change in
China’s position within the World Order. It however did not develop the same way as it
usually does in the West – with one eye looking forward and the other one always glancing
at history. It started with ‘dakou’ and with piracy.

tracklisting
4 x CD

CD1
01. Li Chin Sung aka Dickson Dee (Hong Kong) / Somewhere (1994) / 10’33
02. Zenlu (Shenzhen) / Zen (2007) / 9’19
03. Bai Tian (Chengdu) / Wet (2007) / 4’05
04. Cheewei (Singapore) / Evening has arrived (2006) / 8’02
05. Lim Giang (Taipei) / “???” (2006) / 8’41
06. Ang Song Ming aka Circadian (Singapore) / Book radio mixer (2007) / 3’02
07. Chung-Han Yao (Taipei) / Untitled (2005) / 5’02
08. Goh Lee Kwang (Malaysia) / Frong spraying (2007) / 3’42
09. Wu Quan (Beijing) / Weather forest (2006) / 5’04
10. Me:Mo (Beijing) / pro.a (2007) / 4’30
11. Wang Jong-Kuen (Taipei) / Leaving (2006) / 5’40
12. Dajuin Yao (Zuoying) / Psycho Realm (2006) / 5’29

CD2
01. Sun Dawei (Beijing) / Crawing state (2007) / 4’14
02. Nara (Beijing) / Dream a little dream (2007) / 6’54
03. WFDD / Wang Fan + Dickson Dee (Beijing/Hong Kong) / Sin (2007) / 8’36
04. Stingrays (Singapore) / 061020 (2006) / 5’18
05. Dennis Wong aka Wong Chung-Fai (Hong Kong) / para_dot (2006) / 5’12
06. Fathmount aka Wilson Lee (Hong Kong) / A yoke of oxen (2007) / 4’56
07. PNF (Hong Kong) / Chi (1994) / 3’11
08. Li Wen Tai aka Vince Li (Hong Kong) / Eat (2007) / 4’57
09. Shenggy (Beijing) / Junggy ‘s decay (2007) / 3’05
10. Ronez aka Zhou Pei (Guilin) / Kikusui Back (2006) / 4’57
11. Zhou Ri Sheng (Shanxi) / Noise God (2006) / 7’22
12. Fish (Taipei) / Rusty Crane Keelong (2007) / 4’46

CD3
01.Torturing Nurse (Shanghai) / Fugitive (2006) / 14’46
02. Wang Fan (Beijing) / Zero (2006) / 6’28
03. Wuwei + Ulrich Morits (Shanghai/Berlin) / Toy Ships (2003) / 2’48
04. Xper. Xr. & The Orphic Orchestra (Hong Kong) Hickory Dickory Dock (1992) / 1’01
05. Hong Qile (Fuzhou) / j gmc (2007) / 8’00
06. Ying Fan (Taipei) / L2255 mix (2007) / 3’58
07. Dead J aka Shao Yanpeng (Beijing) / untitled (2007) / 3’49
08. Z.S.L.O (Taipei) / 422189 (1997) / 3’09
09. Jedung Kying / Edging + Junky (Guangzhou/Shanghai) Dabao (2007) / 3’01
10. Tats Lau (Hong Kong) / Face The Antagonish (1992) / 2’53
11. Li Jianhong (Hangzhou) / Sod (2007) / 5’32
12. Dino (Taipei) / untitled (2005) / 6’45

CD4
01. Wang Changcun (Harbin) Through the tide of faces (2007) / 4’59
02. D!O!D!O!D! / Li Jianhong + Huangjin (Hangzhou) A dark knife (2006) / 5’36
03. Yan Jun (Beijing) / Its more than enough (2006) / 5’35
04. Loga (Fuzhou) / 620 (2007) / 9’22
05. Pei aka Liu Pei-Wen (Taipei) / Bird lady (2007) / 7’43
06. Eric Lin aka Lin Chi-Wei (Taipei) / untitled (2007) / 3’10
07. Alice Hui-Sheng Chang (Taiwan) There she is, standing and walking on her own (2007) / 3’59
08. Ching Shen Ching (Taiwan) / V-zone (1997) / Fuji Wang + Anes: electronics / 7’25
09. Dancing Stone (Hong Kong) / Two (1995) / Nelson Hui: flute + Ling Lee: voice / 2’13
10. Illuminated 6.6.6. (Hong Kong) / Enjoy the silence (1992) / 6’06
11. Juno aka Timmy Lok (Hong Kong) / Possiblilities (1995) / 3’18
12. Simon Ho (Hong Kong) / 5 (2005) / 6’53

"What Burns Never Return"-modern dance + music live performing

What Burns Never Return
from objective map to subjective mapping
project by Alessandro Carboni
screen-capture-1

For more than month, Alessandro Carboni has been in Hong Kong focusing his research around Platform#8 on Nga Tsin Wai village: one of the last ancient villages remained in Kowloon and Hong Kong at large. Taking this as a point of departure, Carboni examines local disappearing urban spaces, which overlap with several discrete boundaries within Kai Tak River, Kowloon Walled City and To Kwa Wan. The project reflects the renewed recognition that space matters to cutting edge practices, especially the analysis on urban and body transformation, making use of knowledge in choreography, urban geography and visual art.

EXHIBITION
from objective map to subjective mapping
27/6/ 2009 – 19/7/2009
Venue | 1a space Unit 14, Cattle Depot Artist Village, 63 Ma Tau Kok Road, To Kwa Wan, Kln (Hong Kong)

OPENING+PERFORMANCES
26/6/ 2009 (Fri), 7:30pm – 9:30pm @ 1a space

Searching for estimate space
Choreography and Installation | Alessandro Carboni
Performers | Song Nan, Cheung Sau King, Tsui Ivy Yik Chit, Tong Wai Chun Mayson
Music | Dickson Dee

Unrealistic figure between map and shadow
Choreography and Installation | Alessandro Carboni
Performers | Tsui Ivy Yik Chit, Tong Wai Chun Mayson
Music | Dickson Dee

The measurements as given position
Choreography and Installation | Alessandro Carboni
Performers | Song Nan, Alessandro Carboni
Music | Dickson Dee

Overlapping discrete boundaries. Kai Tak River, Kowloon Walled City and To Kwa Wan according to my personal geography
video, sound and editing | Alessandro Carboni
HD, 30 min, color, video-documentary

SYMPOSIUM
Hong Kong city: dynamic land for use and art interpretation
27/6/ 2009 (Sat), 11am – 1pm@ 1a space
Visual / media artists, choreographers and urban planners – including Choi yan-chi (Experienced Visual Artist), Prof. Chang Ping-hung (Architect) and Xing Liang (Resident Artist, City Contemporary Dance Company) – will sit down face-to-face with Carboni, and openly discuss the curious relations between urban transformation and different art practices.

WORKSHOP
LaDU_HK (Multimedia Lab of Urban Densit)
27/6/ 2009 (Sat), 2pm – 5pm;28/6/2009 (Sun), 2pm – 5pm@ 1a space
Inspired by the article “Terrae Incognitae: The Place of Imagination in Geography” by John K. Wright, Carboni aims to explore new methodological modalities in examining the relations between choreography, urban geography and visual art. (John K. Wright “Terrae Incognitae: The Place of Imagination in Geography”)

_________________________

WORKING TEAM:
Concept, installation and choreography | Alessandro Carboni
Performers | Song Nan, King Sau Cheung, Ivy Tsui Yik Chit, Tong Wai Chun Mayson
Music | Dickson Dee
Production | Associazione Culturale Ouroboros (Italy)
Presenter | 1aspace (Hong Kong) www.oneaspace.org.hk
Programme Partner | CCDC – City Contemporary Dance Company (Hong Kong) www.ccdc.com.hk
Rehearsal space is partially sponsored by
 Partnership Programme, CCDC Dance Centre and CCDC
Support | LaDU/MultimediaLab. of Urban Density – DIARCH Department of Architecture- Cagliari (Italy)
D3D_Master Didital Environment_NABA (Italy)

1a space working team | Kiki Ho, Natasha Wong, Vangi Fong
Project Assistant | Bernice Lau
CCDC team | Raymond (Coordinator), Kevin (Assistant Coordinator)

Contributors for research | Wallace Chang (Department of Architecture, CUHK), Choi Yan Chi (1a space), Tse Yin Mo (Art Product Promotion), Anthony Siu Kwok-Kin (Research Institute of China. History and Department of Chinese), Wing Sze Blake (community Development), Leung sik-lun (Vice-president of Nga tsin Wai community)

INFO:
[web]: www.alessandrocarboni.org
[email]: [email protected]
[external relations]: alessia esposito
[email protected]
[blog]: www.wbnr.wordpress.com
: www.vimeo.com/ooffouro
[Ladu]: ladulab.wordpress.com
[web]:www.dicksondee.com