孟晋:民谣节让我们想起了平时忽略的事

孟晋:
演出完,胡吗个告诉我:有个艺术身份的人在他下舞台,就对他说“你今天唱得真庸俗”。而他在舞台上时,包括很多普通百姓尤其是大量的民工听得津津有味。这让我想起了意大利剧作家达里奥·福的深入基层,以及中国以前文工团的深入基层。

还有人告诉我:有民工在看杨一唱歌时,流泪了。很多民工都坚持到很晚。相信,他们中的大多数平时没有机会接触这样的音乐。但他们很喜欢,这就是民谣本身的力量。

如果演出不是免费的呢?他们肯定不会出钱来看。那就是说,民谣为底层人民歌唱的本质失去了意义。其实,摇滚也一样。平时,我们都没注意到它的普及方式。

大型演出应该是要卖票的,但同样需要精神力量的底层人民就看不到了。

这是昨天给我非常大的启示,我们和普通大众是否保持着不该保持的距离。像民谣这样的音乐不该是小众的。

今后,如果有企业赞助,免票不失为一种方式。当然,我们大家考虑到音乐的生存与发展时,应该拓宽自己。应该真的为人民服务(不是口号)。

Cdrk live in Shanghai

C-drik Fermont,又名C-drik、cdrk、Kirdec,

来自荷兰,职业艺术家。他是希腊裔,在刚果出生,于比利时生活过一段时间,2002年后移居荷兰,曾师从电子原音作曲家Annette Vande Gorne,涉及的音乐创作领域甚广,创作风格涵盖工业噪音、电子原音和氛围音乐,参加的团体包括Ammo、Axiome、Moonsanto、Ambre、Dead Hollywood Stars,合作者甚多,包括Mick Harris(“死亡汽油弹”、“止痛片”主脑人物)和Mark Spybey(Dead Voices On Air主脑、Zoviet-France成员)。他的音乐生涯是从1989年创建工业噪音团体Crno Klank开始的。

作为一个开放的艺术家,希崔克.费蒙特也为戏剧、展览、声音装置、短片和时装秀谱写音乐,同时还经营一个叫做Syrphe的工作室和唱片厂牌,致力于制作各种类型的电子音乐。

从1990年开始,,在世界各地演出,所到之处包括西欧、东欧、北美、土耳其和泰国。目前他热衷于多轨音乐制作模式的现场演出和更具立体感、力度感的声音装置艺术。他是一个音乐创作者,也是一个喜欢现场演出的一流DJ,风格不限于工业噪音和ELECTRONICA,也包括狂躁的BREAKCORE和沉静的AMBIENT。

演出定于3月30日在苏河美术馆举行
地址:中国上海市光复路423号后面长安路101号(近大统路)
邮编:200070
电话:86- 021-63804150 63803547
传真:86- 021-63804152
邮箱:creekart@creekart.cn
http://www.creekart.cn/

晚上8点

同台artists:
徐程(CN)
Amnjk(JP)
B6(CN)
Dickson Dee(HK)
MHP(CN)
Torturing Nurse(CN)

一些國際音樂家會來中國演出,有興趣邀請他們演出的可聯絡我

Lawrence English – he is writer, composer and media artist based in
Brisbane, Australia…experimental soundscapes and free improvisation style

between June 20-July3 open for China, HK, Macau or Taiwan

Nguyen Le Band – celebrate the music of Jimi Hendrix

Available for Shenzhen or Guangzhou from 8-10 Sept.

Allan Holdsworth – Jazz rock pioneer and guitar hero

Date – Open. Korea is considering for 2-4 Sept. 2005

Terence Blanchard – Grammy winner

Booked for Hong Kong Arts Festival in Feb 2006

my contact : dicksonia@gmail.com

孩子(電)氣多媒體音樂會

孩子(電)氣多媒體音樂會
Kidult Electronica + Multimedia Concert

Plop – 擲地一聲的簡單音調,一個日本電音廠牌的清亮名字。
自命 clean、natural、pure and tender,
就像孩兒時的拼力遊樂,倦了又要回到母親的懷裡撒嬌。
顯露他們脫不掉的孩子稚氣…

但當您將唱盤放進唱機時,
成熟的電聲風景,或然緊湊,時而激昂…
與溫暖的真實樂器相映成趣…
聲音帶出畫面斑斕,就像不是為電影而作的原聲大碟…
轉眼間,寂靜平和的聲樂態度充滿空氣。

演出資料

主辦:阿麥書房(香港)、節點文化(台北)
場地贊助:香港藝術中心
廠牌協辦:Plop (日本)

參與音樂組合:
KAZUMASA HASHIMOTO (聲音 & 影像)
LULLATONE (聲音 & 影像)
SORA (聲音) + Yuki Hayashi (影像)
MONDII (DJ)
暖場:The Marshmallow Kisses (香港)

日期及時間:4/4/2005(一) 兒童節 8:00pm
地點:香港藝術中心 Agnes b 電影院 (香港灣仔港灣道二號)
票價:HK$180.00
門票於 3 月 22 日起在城市電腦售票網有售
電話訂票:2734 9009
節目查詢:2808 0301,http://www.mackiestudy.com

本節目全長約兩小時三十分鐘

詳情:http://www.mackiestudy.com/plop
Plop 網址:http://www.inpartmaint.com/plop

音樂會預演
Kidult @ Kubrick Tiny Concert
日期及時間:2/4/2005(六) 4:00pm
地點:Kubrick 九龍油麻地眾坊街 3 號 駿發花園 H2 地舖 (百老匯電影中心側)
費用全免
場地贊助:Kubrick

*Artist Profile*


http://home.att.ne.jp/star/bd/

Kazumasa Hashimoto started playing the piano from an early age and studied composition at the Tokyo College of Music. He is noted for creating soundscaped pieces rich in imageries from a combination of acoustic instruments and electronic sounds. He has collaborated with artists such as World’s End Girlfriend and Souichiro Suzuki (World Standard). In addition to two acclaimed individual albums, Yupi and Epitaph, his work has been included in the much talked about recent release, Childish Music (Staubgold 2005). In October 2003, he performed alongside Sketch Show (Haruomi Hosono and Yukihiro Takahashi) at a “Code” event headed by Ryuichi Sakamoto, and supported MorrMusic’s label tour of Japan in April 2004.

身兼作曲家、錄音師與網頁設計師的身份,Kazumasa Hashimoto自幼學習鋼琴,後於東京音樂大學修讀作曲,擅長以鋼琴搭配電子聲響營造意象豐富的音景。他曾為不同樂手的專輯演奏鋼琴,包括World’s End Girlfriend和鈴木?一郎(World Standard)。先後出版個人專輯Yupi及Epitaph,皆廣受好評,最近作品更被收錄於一張名為Childish Music(Staubgold 2005)的合輯中。2003年Hashimoto參與?本龍一策劃的活動 “Code”,讓他有機會與Sketch Show(細野晴臣、高橋幸宏)一起演出,去年擔任MorrMusic日本巡迴的特別嘉賓。

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http://www.lullatone.com

Lullatone is the musical project of Shawn James Seymour who lives in Nagoya, Japan. Lullatone creates. His tiny compositions created on adorably delicate and precise small melodies are characterized by their subtle nature, on a par with the works of Steve Reich and Erik Satie. In his live shows he is often accompanied by stop-motion animation. Since starting the project in 2001, Lullatone has released 3 albums on Plop, Audio Dregs and Childisc, and appeared on a crazy amount of V/As from around the world. He is without doubt one of the most prominent figures of the “childish music” trend!

Lullatone是Shawn James Seymour的個人音樂計劃。定居於日本名古屋的他崇尚「少即是多」,含蓄簡約的音樂風格讓人聯想到Steve Reich和Erik Satie的作品。Lullatone擅長創作細緻精準卻不乏童真稚趣的可愛旋律,現場演出常搭配大量定格卡通影像。Seymour自2001年開始採用Lullatone這個代號,先後在電音廠牌Plop、Audio Dregs與Childisc出版個人專輯,作品並散見世界各地廠牌的合輯中,包括日本著名生活傢俱店Actus的概念合輯,是目前孩子氣(Childish)音樂風潮的重要代表!

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http://homepage.mac.com/s_ra/

Sora (meaing “sky” in Japanese) is the alias of Takeshi Kurosawa from Kyoto, Japan. He grew up playing the piano and began to create music using digital samplers in the early 90’s. Influenced by the “intelligent techno” scene in the UK, his talent was revealed early by his participation in a compilation of the UK label General Production. He has also contributed tracks for apparel brands like Issey Miyake’s “Tenalys” and Tomorrow Land’s “Edition.” His debut album, Re.sort (2003) received great acclaim for its transformation of electronic glitches into nature noises, such as birdsongs, insect humming and gentle waves hitting the shore.

來自日本京都的Sora (Takeshi Kurosawa)自幼學習鋼琴,九0年代開始運用採樣器創作音樂。深受英國IDM風潮影響的他有作品收錄在英國廠牌General Production(GPR)的合輯中。2003年首張專輯re.sort大獲好評,將電子合成的破碎聲音轉化成自然的鳥叫、蟲鳴,或是海浪輕拍岸邊的韻律呼吸,彷如清涼解熱的陣陣微風。Sora並曾為著名服裝設計師三宅一生(Issey Miyake)的品牌Tenalys創作多首音樂,作品也被日本Tomorrow Land的時裝品牌 “Edition”用作BGM。

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http://www.spekk.net/

Mondii (Nao Sugimoto) studied ethnic music at university and played the guitar in several bands, in addition to following his interest in making music on computers. After working as a sound designer for TV commercials, he presently runs the Plop label and his own label Spekk. Nao has releases on various international labels such as Hefty Records, Lo Recordings, Fuzzybox, as well as many Japanese labels. He also plays in a band oriented project called RdL, and has another project called Enna that focuses on physical beat oriented tracks.

Mondii (Nao Sugimoto)從小學習鋼琴,大學修讀民族音樂學,並以吉他手身份參與數個樂隊同時發展用電腦創作音樂的個人興趣。他曾專為電視廣告作配樂,目前擔仕Plop的經理並創立自己的音樂廠牌Spekk。Nao的創作專輯散見於許多國際(如Hefty Records、Lo Recordings及Fuzzybox)及日本音樂廠牌。他另外還參與兩個屬性相當不同的計畫,RdL和Enna。

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暖場 Supporting Act

http://www.themarshmallowkisses.com/

Being usually grouped as the indiepop act, The Marshmallow Kisses inclines to surrender to any worldly pursuit and stereotypical definition. In their debut EP, Edine and Peter turn their paradoxical association and arbitrary affection of the world into bittersweet music along with analog syth and a mixture of twee drum and bossa nova guitar. The seemingly innocent female and male duet whisper about the joyful return of an unrequited love, the moving incentive of the obsession of nostalgia and the hyper sensitivity on daily triviality and human fragility. Behind the wall of their complicated mentality, after all, The Marshmallow Kisses says they just wish to be an autumn breeze that reaches everyone’s heart at gentle pace.
Peter (programming) and Edine (main vocal) participated as session players and harmony vocal respectively for musicians including the pancakes, Dylan Art (Hong Kong) and Three Berry Icecream (Japan).
Debut song released in the Japanese magazine Beikoku Ongaku in 2001.
First EP “i wonder why my favorite boy leaves me an EP” released in summer 2004.
“everyone else is ahead, far ahead” hits No.1 on the foreign langauge chart of radio station CR2 903, Hong Kong.

香港男女二人組合the marshmallow kisses,其音樂可以歸類為清新的indie-pop。意圖把 bossa nova吉他與簡潔派 drum loop混合,於2004年6月推出首張EP ”i wonder why my favorite boy leaves me an EP”,用有限資源灌錄但亦不乏 synth symphony,analog keyboard 及男女合唱等元素。 當中主打歌曲”everyone else is ahead, far ahead”進佔香港商業電台第二台叱吒903豁達推介流行榜七星期及曾攀上第一位。
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詳情:http://www.mackiestudy.com/plop

主辦Presented By:
阿麥書房(香港) Mackie Study http://www.mackiestudy.com
節點文化(台北) Node Culture http://www.nodeculture.com

場地贊助Venue Supported By:
香港藝術中心 Hong Kong Arts Centre

音樂會預演 場地贊助 Concert Preview Venue Supported By:
Kubrick