CCDC 駐團編舞家桑吉加全新作品《後感性‧實相》為2017舞季揭開序幕。作品名字包含了中國90年代藝術思潮「後感性」及佛學用語「實相」。兩個看似毫不相關的概念，是怎樣拼在一起？且看桑吉加親自分享！
CCDC Resident Choreographer Sang Jijia’s latest work “Post-Perception/Transcendence” kicks off 2017 Dance Season. The title consists of “Post-Perception” and “Dharmatā” (here refers to “Transcendence”). “Dharmata” is a Buddhism term in Sanskrit, meaning the whole of things as they are. “Post-Perception” is a concept put forward by some Chinese artists in 1990s when Conceptual Art became popular; they questioned about what’s its meaning, what’s its value as a concept being formed? In this video, Sang Jijia talks about how he got the ideas of creating his new piece with these two different concepts.
編舞：桑吉加
Choreography : Sang Jijia
劇作指導／文本創作 ：鄧樹榮
Dramaturgy/Text : Tang Shu-wing
原創音樂 ：李勁松
Original Music : Dickson Dee
佈景設計 ：張國永
Set Design : Leo Cheung
服裝設計 ：何珮姍
Costume Design : Cindy Ho Pui-shan
燈光設計 ：劉詩豪
Lighting Design : Low Shee Hoe
音響設計 ：夏恩蓓
Sound Design : Ha Yan-pui
31.3 – 1.4.2017
香港文化中心大劇院
Grand Theatre, Hong Kong Cultural Centre
$280, $220, 160
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